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Stalking Beans
Nancy Kress
SOMETIMES I TRY TO MAKE MY WIFE ANGRY.
I CLUMP in from the dairy in boots fouled by cow dung; I
let the hearth fire die; I spill greasy mutton on the fresh
cloth Annie insists on laying each night as if we were still
gentry and not the peasants we have become. I wipe my
nose with the back of my hand, in imitation of our
neighbors. I get drunk at the alehouse. I stay away all night.
It's like fighting a pillow. All give, and feathers
everywhere. Annie's pretty face flutters into wispy dismay,
followed by wispy forgiveness. "Oh, Jack, I understand!"
she cries and falls on my neck, her curls— that but for me
would be bound in a fashionable coif— filling my mouth.
"I know how hard our fall in the world is for you!" Never a
word about how hard it is for her. Never a word of anger.
Never the accusation,
You are to blame . Always, she invites me to sink into
her understanding, to lie muffled in it as in the soft beds we
once owned, to be soundlessly absorbed.
Sometimes it takes every fiber of my muscles not to hit
her.
Only when, drunk, I traded our best cow to a dwarf for
a sack of beans did Annie show a flash of the anger she
should feel by right. "You… did… what?" she said, very
deliberately. Her pale eyes sparkled and her thin, tense
body relaxed for one glorious moment into anger. I took a
step toward her and Annie, misunderstanding, cried, "Keep
away from me!" She looked wildly around, and her eye fell
on the shelf with our one remaining book, bound in red
leather and edged with gold. She seized it and threw it at
me. She missed. It fell into the fire, and the dry pages
blazed with energy.
But she couldn't make it last. A second later her
shoulders drooped and she stared at the fire with stricken
eyes. "Oh, Jack—I'm sorry! The book was worth more
than the cow!" Then she was on my neck, sobbing. "Oh,
Jack, I understand, I do , I know your pride has been so
badly injured by all this, I want to be a good wife to you
and understand…" Her hair settled into my mouth, over
 
my nose.
Desperate, I said, "I cast away the beans in the forest,
and vomited over them!"
"Oh, Jack, I understand! It's not your fault! You
couldn't help what happened!"
What kind of man can never help what happens to him?
I can't bring myself to touch her body, even by chance.
When one of us rolls toward the center of the sagging
mattress, I jerk away, as if touched by rot. In the darkest
part of the night, when the fire has gone out, I hear her
sobbing, muffled by the thin pillow that is the best, thanks
to my stupidity, we can now afford.
I get out of bed and stumble, torchless, into the woods.
There is no moon, no stars. The trees loom around me like
unseen giants, breathing in the blackness. It doesn't matter.
My feet don't fail me. I know exactly where I'm going.
She is taller than I am by perhaps a foot, and outweighs
me by thirty pounds. Her shoes are held together with
gummy string, not because she doesn't have better—the
closet is filled with gold slippers, fine calfskin boots,
red-heeled shoes with silver bows—but because this pair is
comfortable, and damn how they look. There is a food
stain on her robe, which is knotted loosely around her
waist. Her thick blond hair is a snarl. She yawns in my
face.
"Damn, Jack, I didn't expect you tonight."
"Is he here?"
She makes a mocking face and laughs. "No. And now
that you're here, you may as well come in as not. What did
you do, tumble down the beanstalk? You look like a dirty
urchin." She gazes at me, amused. I always amuse her. Her
amusement wakes her a little more, and then her gaze
sharpens. She slides one hand inside her robe. "Since he's
not here ..." She reaches for me.
It's always like this. She is greedy in bed, frank, and
direct. I am an instrument of her pleasure, as she is of
mine, and beyond that she asks nothing. Her huge breasts
move beneath my hands, and she moans in that open
pleasure that never loses its edge of mockery. I ease into
her and, to prolong the moment, say, "What would you do
 
if I never climbed the beanstalk again?"
She says promptly, "Hire another wretched dwarf to
stalk another drunken bull." She laughs. "Do you think
you're irreplaceable, Jack?"
"No," I say, smiling, and thrust into her hard enough to
please us both. She laughs again, her attention completely
on her own sensations. Afterwards, she'll fall asleep, not
knowing or caring when I leave. I'll wrestle open the
enormous bolted door, bang it shut, clump across the
terrace to the clouds. It won't matter how much noise I
make; she never wakes.
The morning air this high up is cool and delicious. The
bean leaves rustle against my face. A bird wheels by, its
wings outstretched in a lazy glide, its black eyes bright with
successful hunting, free of the pull of the earth.
Annie is crying in the bedroom of our cottage. I'm not
supposed to know this, since she thinks I'm still at market
with this week's eggs and honey. I poke at the fire, adding
up weeks in my head. They make the right sum. Annie
must have her monthly flow again, our hopes for a child
once more bleeding out between her legs.
I creep quietly out of the cottage to the dairy and sit
heavily on a churning cask. I should go to her. I should
take her in my arms and reassure her, tell her that maybe
next month… But I can't go to her like this. The edge of
my own disappointment is too sharp; it would cut us both.
I sit on the churning cask until the two remaining cows low
plaintively outside their byre.
Inside the cottage Annie has lit the candles. She flies
around the dingy room, smiling brightly. "Stew tonight,
Jack! Your favorite!" She starts to sing, her voice straining
on the high notes, her eyes shining determinedly, her thin
shoulders rigid as glass.
The tax collector stands in my dairy, cleaning his
fingernails with a jeweled dagger. I recognize the dagger. It
once belonged to my father. Lord Randall must have given
it to this bloated cock's comb for a gift, in return for his
useful services. The tax collector looks around my cottage.
"Where is that book you used to have on that wooden
shelf, Jack?"
 
Once he would never have dared address me so. Once
he would have said "Master John." Once. "Gone," I say
shortly. "One less thing for you to tax."
He laughs. "You've still luxury enough here, compared
to your neighbors. The land tax has gone up again, Jack.
You owe three gold pieces instead of two. Such is the
burden of the yeomanry."
I don't answer. He finishes with his nails and sheathes
the dagger. In his fat face his eyes are as shiny as a bird of
prey. "By Thursday next, Jack. Just bring it to the castle."
He smiles. "You know where it is."
Annie has appeared in the doorway behind us. If he
says to her, as he did last time, "Farewell, pretty Nan," I
will strike him. But he bustles out silently, and Annie pulls
aside her faded skirts to let him pass. The skirts wouldn't
soil his stolen finery; Annie has washed and turned and
mended the coarse material until her arms ache with
exhaustion and her skin bleeds with needle pricks. She
turns to watch the tax collector go, and for one
heart-stopping moment her body dips and I think she's
going to drop him a mocking, insolent curtsy. But instead
she straightens and turns to me.
"It's all right, Jack! It wasn't your fault! I understand!"
Her arms are around my neck, her hair muffling my
breath.
Her name is Maria. Seven times I have climbed the
beanstalk, and I've only just learned it. "Why did you need
to know it before?" Maria said lazily. "You're not exactly
carrying my favor into battle." She laughs her mocking
laugh, the low chuckle that says, This is not important, but
it's amusing nonetheless .
I love her laugh.
"If I know your name is Maria," I argue lightheartedly, "I
can call you that when I demand something. I could say, to
give an instance, 'Maria, rub my back.' 'Maria, take off
your shift.' "
"And do you wish me to take off my shift?"
"It's already off," I say, and she laughs and rolls over on
her stomach, her enormous breasts falling forward onto the
rumpled sheets. For once she hasn't fallen asleep. On the
 
bedside table is a half-eaten orange, the skin dried and
wrinkled as if it had been there several days. Maria yawns
mockingly.
"Shall I put my shift back on so you can take it off
again?"
"Do you want to?"
"I don't mind," she says, which is her answer to almost
anything. She puts a hand on me, and a shudder of
pleasure pierces from groin to brain. Maria laughs.
"What an amorous poppet you are."
"And how good you are to be amorous with, lux vitae ,
Maria," I tell her. But even then she doesn't ask me my
other name, just as she has never asked my circumstances.
Does it strike her as odd that a man dressed like a peasant
can flatter her in Latin?
She reaches for her shift, puts it on, and then proceeds
to take it off so slowly, so teasingly, lifting a corner over
one thigh and lowering a strap off one shoulder, bunching
the cloth between her legs, mocking me from under
lowered lashes, that I can barely keep my hands off her
until she's ready. Not even when I was who I was, before,
not even then had I ever known a woman so skilled in
those arts of the body that are really the arts of the mind.
When at long last we are sated again, and she is drifting off
to sleep, I impulsively say to her, "You are extraordinary in
bed. I wish I could take you back down with me."
Immediately a cold paralysis runs over my spine. Now
I've done it. Now will come the start of feminine hope, the
fumblingly hidden gleam of possession, the earnest,
whispered half-promise designed to elicit promises from
me: Oh, do you think someday we actually might be
together
I should know better. Instead, Maria gives me her
mocking smile, rich with satisfaction. "Ah, but that would
spoil everything. One always does most stylishly the things
one cares nothing about. Don't you even know that, you
ignorant boy?"
In another moment she's asleep.
I get out of her bed and start for the door. But in the
corridor I stop.
I have never explored the rest of the castle. What I
 
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