Eliot Fintushel - Izzy and the Father of Terror.pdf

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Eliot Fintushel: Izzy and the Father of
Terror
First appeared in Asimov's Science
Fiction, July 1997. Nominated for Best
Novella.
------------------------------------------
He who feels punctured
Must once have been a bubble.
–Lao Tze (trans. Witter Bynner)
ONE
1. A Hole in My Mind
I was thumbing through New Mexico with
nothing, headed nowhere, when I fell in
with a shaman named Shaman who pricked a
hole in my mind. A little prick it was,
but everything gushed in through it, and
everything spilled out. Suddenly, I could
not tell the difference between myself and
others or between my body and the rest of
the world.
"Don’t be afraid, Mel," Shaman said. I was
very afraid. We were sitting inside a long
canvas tent, the communal kitchen of the
Space People. All the other Space People
were asleep. They had picked me up outside
of Albuquerque and driven me out onto the
desert to their little spread. Because
Shaman liked me, they had picked me up.
Even though there were Chicanos in those
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days who hated hippies, who conned their
way into communes and shot them up, and I
am as dark-skinned and small as a Mexican,
they had picked me up.
It was dark in the tent. Flaps open, stars
filled the big triangles at either end;
feeble candlelight unsealed the night
between us, loud with cicadas and dead
souls crying. There was a votive candle in
a shot glass on the dirt floor. Rococo
shadows angled and sprawled across chairs,
long table, canvas, and ourselves.
"You’ve broken me." The words jumped where
my bones should be. Something in me arched
and bristled like a frightened cat. Were
the words mine?
Shaman took them for mine. "I’m you," he
said. Incomprehensible. "Relax."
I left that place. I left the Space People
sleeping. I left Shaman with his kit of
tropes that killed or cured or pricked
your mind and left you to bleed to death
or to drown in the world’s blood, bleeding
into you through a tiny hole. The last
thing I saw there was the candle flame
reflected in Shaman’s eyes, two little
flames dwindling as I stumbled out into
the desert, out into stars and the cries
of cicadas and dead souls, which might
have been my tongue, my voice, my limbs,
or my self, since Shaman had pricked a
hole in my mind.
2. Talk with a Joshua Tree
I had a talk in the dark with a Joshua
tree. I said, "Everything’s okay. I have a
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mother in New York. I have brothers and a
sister. My father left us, but he’s still
in my mind. In there, I can see the faces
of all the people in my life, I know the
names of everything, and no one on Earth
would disbelieve me." The Joshua tree was
unconvinced. I couldn’t remember my
mother’s face. I stood there, out of sight
of any highway, lost to the Space People,
stars in my skin. Someone had just spoken.
It might have been the Joshua tree. It
might have been the sand.
3. Izzy
Finally, tears gushed. I was sitting on a
curb by the highway before dawn. I was
dawn, not quite risen over a small, dark
man on a desert highway. I was a pool of
tears splash-fed by a biped above my
gutter. I was a tremble, a sob, a cicada,
a dead soul listening in. I don’t know
what I was. I was a car coming, high beam
illumining tear-slicked face, driver
coming in earshot of moaning figure, alone
in the desert, in the dark.
The car stopped a few yards past me, then
purred back. The passenger door flung
open, and a man leaned out, balding,
single-browed, a skinny man with a nasal
accent: "Get in, Jack. We ain’t got all
day."
I smelled jasmine, sweet and piercing.
Inside, beneath a red tassel hanging from
the rearview, a small soapstone elephant
was lit by the map light above the dash.
My tusks curled into the tangle of
threads. I had many arms. In my hands were
medicine bottles, knives, diamonds,
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skulls, crushed demons, and snakes. A
naked woman scissored me.
I was sitting in Ganesha’s lap. My legs
embraced the elephant’s hips. My heels
massaged his buttocks. My nipples rubbed
his chest. I smiled, but held my lips
enticingly distant. The Indian behind the
wheel stroked my back.
Or perhaps I was from Pakistan. I was
irritated at Izzy. I, the driver, said,
"If I had wanted like this, I would have
stayed at my motel, Izzy. Do we have to
pick up everybody?"
"Exactly, Sarvaduhka," One-brow shot back.
"That’s who this piece of merchandise is:
everybody! Ain’t you, Jack?"
I pulled my sleeve across my face to erase
the tears. The car, a warm shell of light,
seemed heaven, but I couldn’t find where
to say yes from. When I tried to speak,
the car door groaned instead. It closed. I
was inside, in front, squeezed between the
door and the man with one long eyebrow.
"How did you know?" I tried to say;
instead, the sun rose.
4. Relic Background Radiation
Sarvaduhka pressed a button, and there was
the United States of America: news, music,
tractor pull ads?"SUNDAYYYYYY!"?static,
evangelist patter, a song by Johnny
Abilene . . .
There’s a splash across the southern sky
Named "I love you-oo!"
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And I know just what a big man
Ought to do-yodelayhee-do.
I’m sorry I left you somewhere in the
blue-boo-hoo-hoo
With your mama singing lullabies to
baby-boo . . .
. . . used automobiles, paid political
announcements, weather reports . . .
"Wait a damn minute," Izzy said. "Turn it
back to the Haymakers, Duke. I wanna hear
that song."
"Haymakers, Izzy?"
"Gimme that." He pushed Sarvaduhka’s hand
away and manned the radio dial himself. I
felt as if someone were reaming my navel.
The smears of sound as the needle skimmed
the tuner scale were gurgles of cud
surging up my throat. Finally he found it.
There were the slightly off-key notes and
bad mixing that signal a live performance:
I’m gonna bring you right back some day.
Though you may be far away,
I can always pull a little stunt
That the folks call "epoché"
"Epoché?" Sarvaduhka took his eyes off the
road?me, a flat, black triangle long as
the desert, wide as the squareback here,
beetling to a point out there, and dotted
with my Bott’s dot vertebrae?to frown at
Izzy. "Did the Haymaker say epoché, Izzy?"
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