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The Invisible Mirror
( and other things I found in Freddie’s Wallet)
An e-Book by Bob Cassidy
PART ONE – THE TEXT
Copyright ©2003 by the Sacred Chao. All rights
reserved.
This is “Freddie’s Wallet.” I call
it that because I bought it at Fred Myers ,
a popular department store chain in the
western United States - referred to by
the locals as “Freddie’s.” (It would be
more accurate to call it “Freddie’s
Credit Card Case,” because there is no
money compartment - it is strictly for
credit cards, identification, and business
cards.)
On the outside of the case is a
clear ID window. In the photograph, it
is located on the back of the side with
the credit cards. If you were to slide a
card into the left vertical compartment
near the centerfold, it would be visible
in the outside window. In essence, it
does the same job as the original two-
fold Jaks peek wallet.
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The Invisible Mirror
But “Freddie’s Wallet” isn’t just another peek device. While it serves admirably
in that capacity, its main use is as a switching gimmick that also provides cover for an
umbrella move, a peek, and finally the return of a spectator’s folded billet. All of this
happens while the billet seemingly remains folded and in full view. This is made
possible by the interesting gimmick seen lying before the wallet in the previous
photograph.
If you like the concept, and I am sure you will, you’ll be happy to know that
“Freddie’s Wallet” is not a device you are apt to see being used by many other
magicians or mentalists. It is not available in magic shops – in fact, it is not available
ANYWHERE. The only way you can have one is to make it yourself. Fortunately, this
is an easy task and shouldn’t take you more than half an hour or so after you have
obtained the proper credit card case and the necessary materials.
[For those of you who were wondering, the quote above the Doctor Bob photo on the first page
is a reference to those unfortunate beings who, having seen “street magic” and the various exposure
shows on television, have concluded that magic and/or mentalism is a talent you can buy in a magic
shop. Doctor Bob has banned these individuals from his neighborhood, or, as he puts it, his “hood.”]
The wallet, as I said, is really a credit card case. Since there is no money
compartment, it is an easy matter to gimmick the case without having to cut through
the extra layers of leather and cloth that you would otherwise encounter. Additionally,
the case is smaller than a regular wallet and will fit neatly into your outside jacket or
shirt pocket.
You will notice that there are two different credit card/ID cases shown in the
photographs that follow. The larger of the two is the one I used in the video clips. In
addition to the billet “switch and peek” feature, it also has a magnetic window on the
outside, which can be used to peek at what has been written on a business card inserted
- writing side down - into the second horizontal pocket on the left side of the case. For
those of you who want the case to double as a rather nonstandard peek wallet, I will
show you how the magnetic window is constructed and the means by which the peek is
obtained.
The second case, the smaller of the two, does not have an outside window. In
fact, the one in the photos is a modified “Stockbroker” – a commercial gimmick
designed to facilitate the “Out to Lunch” principle. If you own a “Stockbroker” case
and don’t mind cutting it up like I did with mine, you can – in addition to the billet
feature - use the case for your favorite OTL effects. Otherwise, any available credit card
case will do – as long as it has three or four horizontal credit card pockets on the inside
left and/or right sides.
The media clips will give you an excellent idea of how the billet switch and read
works. It will take some practice to do perfectly, but it is not nearly as difficult as you
might imagine. If you just make up the wallet and play with it a while, you will soon
discover how it facilitates what would otherwise be a difficult series of moves. You will
also have a lot of fun making the dummy billet appear and disappear as you push the
gimmick up and down.
WARNING: If you are among the minority who will be tempted to use this
device as a means of performing the infamous “Rising Billet” trick – DON’T DO IT!
There is one other thing that the case will do for you. In the video clip “The
Methods”, you will see that I have concealed a silver dollar size convex mirror under
the front flap of the case. It has a magnet attached to the back. Since the billet gimmick
is made of tin, the mirror, when removed from it’s hiding place, will cling to the outside
of the case where it can be used to obtain a reflection of a drawing made by a spectator
on a business card. In practice, the handling is pretty standard:
Remove a business card from the case and hand it, along with a black Sharpie
Marker, to a spectator. Ask her to draw a simple picture on the blank side of the card
and, when she is done, to hold it at arm’s length before her. Turn your back while she
draws, and take the opportunity to slip the mirror out of the case and affix it to its back.
Later, when you turn around to face the spectator, tell her to hold her card higher so
that it is at her eye level. Use the hand holding the case to raise her arm upward to eye
level, thus giving yourself an opportunity to see a reflection of her drawing in the
mirror. I can be seen pantomiming this move on the “Methods” video.
[While the foregoing might appear to be the “Invisible Mirror” of the title, the real “invisible
mirror” is the reflection you will obtain of the spectator’s thoughts when you use the wallet for its
primary purpose – the switch, invisible read, and return of a folded billet. Why this is called “The
Invisible Mirror” is beyond the ken of rational minds and cannot be discussed here.]
Before I go any further, one point regarding the media clips should be made
absolutely clear. The videos are designed to show you how the switch works and what
it basically looks like from the audience’s point of view. They do NOT show how you
should actually perform it.
The “graceful” hand gestures, etc., are for illustrative purposes only. In practice,
it should look like you just placed the folded billet into the case while pointing out that
you will put it in a “safe place” until later. After the peek is obtained and the billet
refolded, the case should be tossed to the table, and or pocketed while you proceed with
your revelation. (AND IN ABSOLUTELY NO EVENT, SHOULD YOU PERFORM
THESE MOVES TO THE MOZART ACCOMPANIMENT USED IN THE VIDEO. The
only purpose of the music was so that you realized the videos are supposed to be
silent.)
The Invisible Mirror
Later, by using the gimmick “in reverse” you will be able to return the
spectator’s billet to her. DO NOT hold the case in your hands throughout the
demonstration, as this would draw unnecessary attention to the device – attention that
SHOULD be directed to your apparent “thought reading.” (Personally, I prefer to toss
the case onto a table in order to take an advantage of a subtlety we will discuss shortly.)
A NOTE ON THE MEDIA FILES:
To properly view the media files you should download the latest version of Real
Player. In the “options” dialogue of the player, you should select the option that allows
Real Player to play media directly from your hard drive without first downloading it.
(Otherwise, it will operate according to its default settings and attempt to download the
file from the Internet. If you were to leave the default setting and then click on the link
in the html file named “contents.html” (the page that links to all of the media) it is quite
possible that you will see a window that says “Real Player has attempted to perform an
illegal operation and will be shut down.” This will not occur if you change the default
settings as indicated OR if you just click directly on the media files in the folder where
you unzipped them. It is a lot more convenient, though, to access the files through the
“contents.html” page. In this manner, you can view both the text and the media at the
same time in separate windows.
[Sorry if the foregoing seems a bit confusing, but this was the only way I could
make this eBook compatible with most computer systems.]
THE BILLETS AND THE UMBRELLA MOVE
In many of my previous writings, I have stated that the actual size of a billet is
irrelevant, as long as it fits your hand. I have always been quite comfortable with either
standard size business cards folded into quarters or 3 X 5 index cards cut in half to form
3 X 2.5 inch billets, which, when folded into quarters serve equally well for most
switches.
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With “Freddie’s Wallet,” however, another consideration comes into play – not
only must the billet be properly palmable when folded, but when it is opened out as
well, since the entire unfolded billet must be easily concealable in a finger palm position
as shown in the following sequence of illustrations. In my case, and perhaps in yours,
the perfect size is obtained by cutting a 4 X 6 index card into quarters – resulting in four
billets per card, each measuring 3” by 2” – or, for our European friends, approximately
75mm X 50mm.
There are two handlings I use for the insertion of the
folded billet into the wallet, but the mechanics of the finger
palm are the same in both. Only the timing is different, as we
will see momentarily. At the beginning of the switch/read
sequence, the spectator’s folded billet is palmed in the right
hand while apparently placed into the second horizontal
credit card slot. At the same time, the left fingers push the
gimmick into view from the bottom or back of the wallet
(depending on the style of case), creating the perfect illusion
of the folded billet being inserted halfway into the slot.
The billet is palmed laterally between the middle and
ring fingers of the right hand.
This exposed view of the umbrella move, shows how
the billet is finger palmed and will also illustrate to you why
the size of the billet is important. In the first photo to the left,
the billet is allowed to spring open along its centerfold. Note
that the folded sides of the billet are along the bottom and to
the right (facing the wrist).
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