Leiber, Fitz - SS - Midnight in the Mirror World.pdf

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From Fritz Leiber’s
The Mind Spider and Other Stories
MIDNIGHT IN THE
MIRROR WORLD
Fritz Leiber
As the dock downstairs began to clang out midnight's
twelve strokes, Giles Nefandor glanced into one of the
two big mirrors between which he was passing on his
nightly trip, regular as clockwork, from the telescopes on
the roof to the pianos and chessboards in the living room.
What he saw there made him stop and bunk and stare.
He was two steps above the mid-stair landing, where the
great wrought-iron chandelier with its freight of live and
dead electric bulbs swung m the dull fierce gusts of
wind coming through the broken, lead-webbed, dramond-
paned windows. It swung like a pendulum—a wilder yet
more ponderous pendulum than that in the tall clock
twanging relentlessly downstairs. He stayed aware of its
menace as he peered in the mirror.
Since there was a second mirror behind him, what he
saw in the one he faced was not a single reflection of him-
self, but many, each smaller and dimmer than the one in
front of it—a half-spread stack of reflections going off to-
ward infinity. Each reflection, except the eighth, showed
against a background of mirror-gloom only his dark lean
aquiline face, or at least the edge of it—from bucket-size
down to dime-size—peering back at him intently from un-
der its sleek crown of black, silver-shot hair.
But in the eighth reflection his hair was wildly dis-
ordered and his face was leaden-green, gape-jawed, and
bulging-eyed with horror.
Also, his eighth reflection was not alone. Beside it was
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a thin black figure from which a ribbony black arm
reached out and lay on his reflected shoulder. He could
see only the edge of the black figure—most of it was hid-
den by the reflected gilt mirror frame—but he was sure it
was thin.
The look of horror on his face in that reflection was so
intense and so suggestive of strangulation that he clutched
at his throat with both hands.
All his reflections, from the nearly life-size giants to the
Lilliputians, copied this sudden gesture—except the eighth.
The eleventh stroke of midnight resounded brassily. An
especially fierce gust of wind blew the chandelier closer
to him so that one of its black hook-fingered arms ap-
proached his shoulder and he cringed away from it before
he recognized it for the familiar object it was. It-should
have been hung higher, he was such a tall man, and he
should have had the window repaired, but his head missed
the chandelier except when the wind blew hard and after
he'd been unable to find a craftsman who could work
leaded glass, he had not bothered about either chore.
The twelfth stroke clanged.
When he looked into the mirror the next instant, all
strangeness was gone. His eighth reflection was like the
rest. All his reflections were alike, even the dimmest most
distant ones that melted into mirror smoke. And there was
no sign of a black figure in any one of them, although he
peered until his vision blurred.
He continued downstairs, choosing a moment when the
chandelier was swinging away from him. He went immedi-
ately to his Steinway and played Scriabin preludes and
sonatas until dawn, fighting the wind with them until it
slunk away then analysed chess positions in the latest
Russian tournament until the oppressive daylight had-
wearied him enough for sleep. From time to time he
thought about what he had glimpsed in the mirror, and
each time it seemed to him more likely that the disordered
 
eighth reflection had been an optical illusion. His eyes had
been strained and weary with star-gazing when it had hap-
pened. There had been those rushing shadows from the
swinging chandelier, or even his narrow black necktie
blown by the wind, while the thin black figure might
have been simply a partial second reflection of his own
black clothes—imperfections in the mirror could explain
why these things had stood out only in the eighth reflec-
tion. For that matter the odd appearance of his face in
that reflection might have been due to no more than a tar-
nished spot in the mirror's silvering. Like this whole vast
house—and himself—the mirror was decaying.
He awoke when the first stars, winking on in the sky of
deepening blue, signaled his personal dawn. He had al-
most forgotten the incident of the mirror by the time he
went upstairs, donned stadium boots and hooded long
sheepskin coat in the cupola room, and went out on the
widow's walk to uncap his telescopes and take up his star-
gazing. He made, as he realized, a quite medieval figure,
except that the intruders in his heavens were not comets
mostly, but Earth satellites moving at their characteristic
crawl of twenty-some minutes from zenith to horizon.
He resolved a difficult double in Canis Major and was
almost certain he saw a pale gas front advancing across
the blackness of the Horsehead Nebula.
Finally he capped and shrouded his instruments and
went inside. Habit started him downstairs and put him
between the mirrors above the landing at the same minute
and second of the day as he had arrived at that spot
last night. There was no wind and the black chandelier
with -its- asymmatric constellation of bulbs hung motionless
on its black chain. No reeling shadows tonight. Otherwise
everything was exactly the same.
And while the clock struck twelve, he saw in the mirror
exactly what he had seen last night: tiny pale horror-
struck Nefandor-face, black ribbon-arm touching its shoul-
der or neck, as if arresting him or summoning him to
some doom. Tonight perhaps a little more of the black
 
figure showed, as if it peered with one indistinguishable
eye around the tinied gold frame.
Only this time it was not the eighth reflection that
showed these abnormalities, but the seventh.
And this time when the glassy aberration vanished with
the twelfth brassy stroke, he found it less easy to keep
his thoughts from dwelling obsessively on the event. He
also found himself groping for an explanation in terms of
an hallucination rather than an optical illusion: an opti-
cal illusion that came so pat two nights running was
hardly credible. And yet an hallucination that confined
itself to only one in a stack of reflections was also most
odd.
Most of all, the elusive malignity of the thin black
figure struck him much more forcibly than it had the
previous night. An hallucination—or ghost or demon—
that met you face to face was one thing. You could strike
out at it, hysterically claw at it, try to drive your fist through
it. But a black ghost that lurked in a mirror, and not
only that but in the deepest depthy of a mirror, behind
many panes of thick glass (somehow the reflected panes
seemed as real as the actual ones), working its evil will
on your powerless shrunken image there—that implied a
craftiness and caution and horrid calculation which fitted
very well with the figure's cat-and-mousing advance from
the eighth reflection to the seventh. The implication was
that here was a being who hated Giles Nefandor with
demonic intensity.
This night and morning he avoided the eerie Scriabia
and played only dancimgly brisk pieces by Mozart, while
the chess games he analysed were frolicsome attacking
ones by Anderssen, Kieseritzky, and the youthful Steinitz.
He had decided to wait another twenty-four hours and
then if the figure appeared a third time, systematically
analyse the matter and decide on what steps to take.
Yet meanwhile he could not wholly keep himself from
 
searching his memory for people whom he had injured to
the degree that they would bear him a bitter and enduring
hatred. But although he searched quite conscientiously,
by snatches, through the five and a half decades over
which his memory stretched, he found no very likely can-
didates for the position of Arch-Hater or Hater to the
Death of Giles Nefandor. He was a gentle person and,
cushioned by inherited wealth, had never had to commit
a murder or steal a large sum of money. He had wived,
begat, divorced—or rather,, been divorced. His wife had
, remarried profitably, his children were successful in far
places, he had enough money to maintain his long body
and his tall house while both mouldered and to indulge his
mild passions for the most ethereal of the arts, the most
coolly aloof of the sciences,, and the most darkly profound
of the games.
Professional rivals? He no longer played in chess tour-
naments, confining his activities in that direction to a few
correspondence games. He gave no more piano recitals. .
While his contributions to astronomical journals were of
the fewest and involved no disputes.
Women? At the time of his divorce, he had hoped it
Would free him to find new relationships, but his lonely
habits had proved too comfortable and strong and he had
never taken up the search. Perhaps in his vanity he had
dreaded failure—or merely the effort.
At this point he became aware of a memory buried in
his mind, like a dark seed, but it refused to come clear.
Something about chess? ... no ...
Really, he had done nothing much to anyone, for good
or ill, he decided. Why should anyone hate him for doing
nothing?—hate him enough to .chase his image through
mirrors?—he asked himself fruitlessly as he watched Kie-
seritzky's black queen implacably pursue Anderssen's
•white king.
The next night he carefully timed his descent of the
stairs, using his precision clocks in the cupola—with the
 
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