nep-nine-dvdscr-cd1.txt

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{1}{1}23.976
{545}{640}www.NapiProjekt.pl - nowa jakoœæ napisów.|Napisy zosta³y specjalnie dopasowane do Twojej wersji filmu.
{641}{728}You kill your film|several times.
{728}{798}Mostly by talking about it.
{831}{874}A film is a dream.
{874}{970}You kill it writing it down,|you kill it with a camera,
{970}{1033}Your film might come to life|for a moment or two when
{1033}{1057}your actors breathe|life back into it,
{1070}{1165}But then it dies again,|buried in film cans.
{1178}{1288}Mysteriously, sometimes,|in the editing room...
{1310}{1381}a miracle happens when you place|one image next to another
{1381}{1471}so that when finally an|audience sits in the dark
{1471}{1555}if you're lucky, very lucky,
{1579}{1660}and sometimes I've|been lucky
{1664}{1742}the dream flickers back|to life again.
{1801}{1865}That's why I'm secretive.
{1878}{1972}So, what's your favorite pasta?
{1982}{2035}Finally, a serious question.
{2038}{2172}"NINE"
{2196}{2266}Transcribed by:|anreith [inSanos]
{2266}{2338}Sync by:|lostmaniac [inSanos]
{2407}{2507}Cinecitta Film Studios|Rome 1965
{2709}{2774}Good luck, Maestro.
{3324}{3406}Maestro, maestro, maestro.
{3426}{3495}Maestro Contini
{3509}{3570}How do you begin?
{3579}{3646}How do you begin|this thing?
{3665}{3758}Page one, page one,|page one...
{3796}{3861}Page nothing.
{8943}{9039}- Guido, you're here.|- Buongiorno, Dante.
{9039}{9085}I've been looking for you|all over the place.
{9085}{9121}The set's coming along, eh?
{9121}{9199}- How are you?|- Bene, grazie, bene.
{9199}{9282}My God you look terrible.|Better go to makeup.
{9282}{9339}Forgot you've got a|press conference?
{9339}{9422}- He has no tie.|- Yes, makeup and wardrobe.
{9422}{9488}- Signor Contini, I’m Fausto.|- He's counting cost.
{9488}{9519}The bank wants him here.
{9519}{9591}- Signor Contini.|- Don’t speak to him, I speak to him.
{9591}{9692}Okay. I have some questions|for Signor Contini.
{9692}{9729}You all have questions for|Signor Contini.
{9729}{9764}Yes, but please.
{9764}{9836}I think it's customary for|there to be an approved
{9836}{9894}script and budget before|filming commence.
{9894}{9968}- Is he going to follow us?|- It's not my intention to be difficult,
{9968}{10031}I'm a huge admirer of|Maestro Contini's movies
{10031}{10088}your early films are...|everybody loves them.
{10088}{10149}And I consider it a great|honor for me to be here.
{10173}{10237}But nonetheless, I need|a script and a budget
{10237}{10286}- Where do you want your messages?|- On my desk.
{10286}{10350}- There's no room on your desk.|- Under my desk. In the trash. Non lo so.
{10350}{10417}Ciao, Paula.|Get me a cigarette.
{10423}{10488}We will never be ready|to shoot in ten days.
{10488}{10512}Jaconelli...
{10502}{10540}- What? Not ready?|- Ascolta me.
{10540}{10604}Be careful what you say.|He's a spy from the bank.
{10604}{10654}He's not exactly|from the bank.
{10654}{10689}You have actors waiting|for you in your office.
{10689}{10713}You have auditions|all morning.
{10713}{10799}You should see what I found.|I found two sisters...
{10953}{11007}I need a cigarette.
{11007}{11094}He needs a shirt|and a tie, Lilli.
{11104}{11154}Answer the question|and I will give you a coffee
{11154}{11178}Answer another, and I will|give you a cigarette.
{11223}{11308}- Actually need an Aspirin.|- Calm down.
{11308}{11391}Directing a movie is a very|overrated job, we all know it.
{11404}{11484}You just have to say yes|or no. What else? Nothing.
{11484}{11544}"Should this be Red?" Yes.|"Green?" No
{11544}{11592}"More extras?" Yes|"More lipstick?" No
{11592}{11642}Yes. No. Yes. No.
{11643}{11727}That's right: That's directing.
{11738}{11828}It doesn't seem to make any|difference what the answer is.
{11829}{11923}So, please, Guido, yes or no.
{11923}{11989}Do you want costumes|in this film?
{12010}{12071}- Yes.|- You see? Simple.
{12102}{12178}Might I know what period|the movie is in?
{12208}{12247}Soon.
{12260}{12353}You know I don’t allow|producers in here.
{12378}{12434}Two minutes Guido.
{12471}{12521}He’s gone.
{12551}{12611}Have you written|a word of the script?
{12618}{12651}No.
{12651}{12696}Are you in a panic?
{12747}{12768}Yes.
{12768}{12813}Is Luisa going with you|to the Press Conference?
{12813}{12913}No. Nobody.|Dante and his spy.
{12913}{12970}You need to shave.|You look terrible.
{12970}{13030}Why is there no|fire escape in here?
{13030}{13080}What if somebody|needed to escape?
{13080}{13150}I can't face these reporters.|I have nothing to say.
{13150}{13190}You'll be fine.
{13198}{13268}You’re a world class|liar, darling.
{13275}{13332}Go out there and|lie for Italy.
{13344}{13410}Lie for Italia.
{13645}{13702}What the hell is|wrong with me?
{13702}{13781}I can't sleep, I can't think,|I can't write.
{13781}{13853}I can't breathe.|My heart is racing.
{13853}{13897}Am I dying, Mamma?
{13897}{13947}I owe you flowers, I know.
{13947}{14014}I will come to the cemetery|at the weekend.
{14019}{14088}You should have let me|bury you in Roma, Mamma.
{14088}{14139}Could have visited you|every week.
{14173}{14232}Don't look at me like that.
{14232}{14308}Oh, Guido, Guido.
{14362}{14420}This is your Rome, Guido.
{14420}{14504}The world sees Rome the|way you invented it.
{14508}{14576}Your films did that.
{14576}{14649}- I miss you.|- I miss you too.
{15105}{15208}We are just waiting for the|arrival of Contini any moment now
{15213}{15284}Could this film put the|Maestro back on top?
{15284}{15389}And here he is!
{15495}{15548}Thank you for coming.
{15548}{15616}Silenzio, per favore.|Thank you, thank you.
{15616}{15676}Guido Contini's long time|producer, is about to speak
{15676}{15742}I just want to say a few|words from my heart.
{15742}{15819}I am humbled and thrilled to|announce that I'm producing
{15819}{15873}Guido Contini's next film:
{15874}{15917}"Italia"
{15917}{16027}which will star once again|Contini's longtime inspiration
{16027}{16133}the international film star,|Claudia Jenssen.
{16172}{16245}We start shooting in ten|days time in Cinecitta
{16245}{16288}That makes it one week|from Monday.
{16288}{16350}Thank you, Maestro,|thank you very much.
{16350}{16435}This is our ninth film|together. Guido Contini.
{16435}{16492}Thanks for coming, everybody.
{16566}{16656}- Maestro Contini.|- Yes?
{16656}{16799}Grazie. Your new film is|called Italia. Big title.
{16799}{16846}Actually it's my shortest|title yet.
{16846}{16944}- But hardly a modest one.|- Films are not modest.
{16944}{16997}They cost too much,|they take too long,
{16997}{17058}and they involve|too many people.
{17068}{17130}They should have|grand titles.
{17130}{17219}And might you tell the press|what the film is about?
{17219}{17267}Why?
{17347}{17392}I still don't know what my|last film was about.
{17392}{17481}That was the problem.|Nobody else did.
{17507}{17568}Of course I can tell you|what my film is about
{17568}{17640}I can tell you the story,|I can tell you....
{17640}{17691}who I am going to cast,|the music I want to use,
{17691}{17790}I can tell you everything.|But I won't.
{17795}{17882}I'm afraid that what I say|might leak to the press.
{17894}{17971}Our next film will be|exactly as it sounds.
{17971}{18002}Italia.
{18002}{18114}It's the very spirit of Italy.|Italy as a myth, as a woman,
{18114}{18149}Italy as a dream.
{18149}{18254}- Is this true?|- Sounds fantastic. Can't wait to see it.
{18254}{18314}Do you consider|pornography art?
{18340}{18406}- Signor Contini.|- Stephanie.
{18406}{18456}Could you tell the fashionable|women of America
{18456}{18514}who your favorite|designer is?
{18515}{18610}I'm less interested in wrapping|than what might be inside.
{18626}{18693}Signor Contini, you are a|man of the world, yes?
{18693}{18761}Educated in Britain,|a home in Biarritz.
{18761}{18864}With Italia is it fair to say that|you’ve come home for good?
{18864}{18936}It's been a long time since you|made a movie with your wife
{18936}{18999}Do you plan on casting her|in this new film?
{18999}{19057}I told Luisa that when we got|married I would never again
{19057}{19081}make love to|my leading lady.
{19102}{19182}But she hasn't worked at all|since working with you.
{19182}{19274}But why are you being so|tight-lipped about this film?
{19274}{19368}It’s a serious question.|What’s the big deal?
{19411}{19471}I would like to be here.
{19492}{19569}You want me to be serious|in a press conference?
{19569}{19629}I would like to be there.
{19636}{19724}I thought I was the|clown in this circus.
{19724}{19810}I would like to be|everywhere at once
{19810}{19880}I know that’s a|contradiction in terms
{19903}{19973}Artists do their best work|before they're famous.
{19973}{20018}Now you're famous.
{20018}{20158}Without wishing to be negative,|your last two films, they were...
{20158}{20174}Flops?
{20174}{20209}Your word, flops.
{20209}{20300}And it's a problem|especially when
{20300}{20401}My body's nearing fifty,|as my mind is nearing...
{20401}{20421}ten.
{20421}{20521}I'm just asking if you're nervous.|You seem nervous.
{20521}{20590}- Excuse me?|- What I'm asking, Maestro,
{20590}{20686}is have you run out|of things to say?
{20686}{20789}I can hardly stay up,|and I can't get to sleep.
{20789}{20854}And I don’t want to wake|tomorrow morning
{20854}{20901}at the bottom of some heap.
{20901}{20980}But why take it|so seriously?
{20986}{21088}After all, there's nothing|at stake here, only me.
{21097}{21202}I want to be young.|I want to be old.
{21202}{21271}I would like to be wise|before my time and yet
{21271}{21307}be foolish and brash|and bold.
{21307}{21377}I would like the universe to|get down on its knees and say:
{21377}{21417}"Guido, whatever you please.
{2141...
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