Witches Workshop Handbook.pdf

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W I T C H E S W O R K S H O P
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W I T C H E S W O R K S H O P
A P R O J E C T C R E AT E D B Y T I M H A R T R I D G E
W itch M oon
Web sites:
www.witchcamp.org.au
www.witchesworkshop.com + www.nuitsveil.com.au.tt
Email: info@witchesworkshop.com
Telephone: 0416 339 706
Post: PO Box 179 Newtown NSW 2042
Copyright © Tim Hartridge 2008
This manual is copyright. Apart from any fair dealing for the purposes of private
study, research, criticism or review, as permitted under the Copyright Act, no part
may reproduced by any process without written permission. Inquiries should be
addressed to Tim Hartridge: PO Box 179 Newtown 2042, Australia
info@witchesworkshop.com
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WITCH CAMP
W itches W orkshop
Handbook
A short guide to
participation in the workshop
by Tim Hartridge
PART ONE
Contents
Guidelines to Working in a Witch’s Circle . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 5
1. Participation
2. Working in the Circle
What is Witchcraft? . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 8
1. From Ancient Times to Recent Past
2. Contemporary Witchcraft
3. A Description of Wiccan Ritual
4. A Definition of Witchcraft
5. Wicca verses Witchcraft
6. The Natural or Wild Witch
7. Conclusion
Middle Pillar Meditation . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 17
Chakra System: Corresponding Gemstones and Colours . . . . . . . . . . . . . . . . . . 19
Ritual Movement & Voice . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 19
A Few Practical Notes
Analysis of Words – Magickal Exegesis: a Short List. . . . . . . . . . . . . . . . . . . . . 20
Gods and Goddesses
Magickal Words
Middle Pillar Ritual . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 22
Stage 1: Creating the Middle Pillar
Stage 2: Activating the Chakra
Stage 3: Activating the Group Mind of the Coven as a Psychic Current
Elemental Tables: Fire, Water, Air, Earth. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 25
Casting the Witch's Circle . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 27
A general Note About Ritual
Basic Circle Rite . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 29
Ritual Focus and Intention
The Circle casting
Using the Elements
Enochian Elemental Names. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 32
A Brief Note About the Elemental Names used in the Circle Casting
An Alternate Circle Rite. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 33
Combining the Use of the Elemental Pentagram Invocations
The Consecration of the Four Elements
The Witches' Rune : Traditional Chant. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 36
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W I T C H E S W O R K S H O P
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W I T C H E S W O R K S H O P
Guidelines to working in a
Witch’s Circle
1. PARTICIPATION
These notes are intended to familiarise you with the introductory
ritual practices and some Wiccan conventions. A few people may
find the practices initially challenging, but I would encourage you to
allow yourself the opportunity of the experience. Please keep in mind
this workshop is for the purpose of learning, and so no question is
considered too basic. If you feel something has not been covered to
your satisfaction don't hesitate to ask for more information.
To assist in making your experience significant and authentic, there
are two things that I ask. The first is to be open to new ideas or
approaches to the subject; some of the ideas presented may be
different from what you have read. The second is to be willing to
participate and to give things a try, even if you should find things
challenging.
2. WORKING IN A CIRCLE
The following points are some of the basic conventions to working in
a Wiccan Circle that you can expect to be applied in the workshop.
I. Be personally responsible. This means that you agree not to
do anything that might endanger either yourself or others in the
workshop. Your behaviour should always be polite and considerate. If
you have a concern please do not hesitate to discuss this with Tim.
II. If you need to leave either the workshop space or the Circle during
ritual you do not need permission, but you will do so in such a way
so as not to disturb or disrupt others. It is generally courteous to have
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