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Real World Seduction
Real World
Seduction
The Official Underground Book Of
Dating Secrets
Most Women Don’t Want You To Know
2003 All rights reserved
In the last few years several books have been written, audio courses made, and
seminars given for increasing a man's success with women. Some of these books
and audio courses have some great ideas, however, a lot of what they say is coming
from the wrong frame (guys, we will talk about what frames are and their significance
Iater on).
This book is different in that you will not only have more success with women, you
will learn how to be the PRIZE and make beautiful women chase you.
Now being the PRIZE and making beautiful women chase you is deeper than just
getting laid more (if your goal is just to get laid more, go to Tai Land and fuck a dozen
hookers). However, if you have a desire to not only sleep with hot women, but also to
master the skills for making beautiful women see you as a PRIZE they want to chase,
then read on.
I am sure some of you have heard other dating experts and gurus talk about the
importance of believing you are the PRIZE. The problem is that many of these same
experts are only teaching guys how to GAME women--game women in the sense of
the man being a hunter who must entrap the PRIZE (the hot beautiful woman of
value). This definition implies that men must court, pursue, and win over the approval
of beautiful women. But trying to win a woman over assumes that she is the PRIZE in
the interaction, not the other way around. So, how can a man both believe and
convey he is the PRIZE, if he does things that assume she is the PRIZE? He can't.
What is the answer? The answer is to stop GAMING women and start PRIZING
them.
PRIZING is getting a woman so emotionally charged, she is compelled to GAME,
COURT, CHASE, and PURSUE you.
In a nutshelI, this is exactly what this book is about.
Okay let’s get started!
WARNING: This book is copyrighted with all right reserved. It is illegal to copy,
distribute or sell any part of this book without my prior consent. Upon purchase of my
book you consented to the following:
“2003 © RealWorldSeduction.com Inc., “Real World Seduction” and “Swinggcat” are trademarks used by
RealWorldSeduction.com Inc., all rights reserved. It is impermissible to copy, distribute, or sell any part of my book or
website without my prior consent. All violations will be prosecuted to the fullest extent of the law. By purchasing this
book you are agreeing to the following: You understand that the information put forth in this book is only an opinion,
and is intended for entertainment purposes only. Furthermore, RealWorldSeduction.com is not held accountable for
the consequences of your own actions and behaviours:.
Okay, now that we got that out of the way, let’s get started.
Table of contents:
Part 1: Becoming the Prize............................
Chapter I: My story ...... ……………………………………..
Chapter lI: Attributes of men who are the PRIZE........
Review ………………………………………………………………………. .
Homework …………………………………………………………………....
Chapter llI: Attributes women loath ……………………….
Homework ... ... ... ... ... ... ... ... ... ... ... ... ... ... ... ... ... ... ... ... …………
Chapter lV: Beliefs……………………………………….....
Why beliefs are important ……........... ... ..... ... ... ... ... ... ... ... ... ... ... ...
Important beIiefs for PRIZING . . . . .. .... ... . . .. ... .. . ....... .. ...... . . . .. . ... . ...............
Review ... ... ... ... ... ... ... ... ... ... ... ... ... ... ... ... ... ... ... ... ... ... …………
Homework ... ... ... ... ... ... ... ... ... ... ... ... ... ... ... ... ... ... ... ... ... ... …….
Chapter V: Introduction to frames………………………..
Review … . . . . . . . . .. .. . .. . .......................... . . ............................ .. ... . . . . .....................
Homework .. . .............................................................. .. .. ..... . . ......................
Chap ter VI: Setting frames………………………………..
Step 1: Defining the meta-frame... ... ... ... ... ... ... ... ... ... ... ... ... ... ...
Step 2: Assuming the meta-frame... ... ... ... ... ... ... ... ... ... ... ... ... ... .
Step 3: The art of not choosing her... ... ... ... ... ... ... ... ... ... ... ... ... ..
Step 4: Setting frames that imply the Meta-Frame................................
Review…..................................................................................................
Homework………………………...............................................................
Part 2: Prizability................................................
Chapter VII: A few words on style..................................
Homework………………………………………………………………………
Chapter VIII: How to Meet Women..................................
Initiating......................................................................................................
Conversational openers..............................................................................
Review……………………………………………………………………………
Homework……………………………………………………………………….
Chapter IX: Cold Reading….................................................
The nuts & bolts of cold reading……………………………………................
A few words on gimmicks……………………………………………………....
Review……………………………………………………………………………..
Homework……………………………………………………….........................
Chapter X: Storytelling……...................................................
Rhythm & flow…………………………………………………………………....
Transitioning.................................................................................................
Displaying instead of Parading Prizability………….......................................
Review……………………………………………………………………………..
Homework………………………………………………………………………….
Chapter XI: Rapport................................................................
C ommo na Iities…………………………………………………………………….
Making her relate to your values…………………………………………….......
You know her better than she knows herself…………………………………..
Review………………………………………………………………………………
Homework……………………………………………………………………….....
Part 3: Prizing (the art of coquetting)……............
Chapter XII: Open Loops.........................................................
Conversational open loops……………………………......................................
Something about them open loops………………………………………………
Numerical open loops…………………………………………………………......
Silent loop.......................................................................................................
Getting them to say “what”..............................................................................
Review.............................................................................................................
Homework........................................................................................................
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Chapter XIII: Pushing & Pulling the art of sending mixed
signals) ...................................................................................
Guilty consience............................................................................................
Emοtional Roller coaster................................................................................
Revealing & Concealing……………................................................................
Gοοg cop bad cοp……………….....................................................................
Intentional undermining…………….................................................................
Review…………………………………………………………………………….....
Homework………………………………………………………………..................
Chapter XIV: Qualifing & Challenging………….......................
Some preliminary stuff…………….....................................................................
Qualifing & Challenging them…………………....................................................
Review…………………………………………………………………………...........
Homework…………………………………………………………………….............
Chapter XV: The body Ianguage to Pushing & Pulling Qualifing
& Challenging and setting frames………………………………..
Some basic stuff on non-verbal frame setting………………................................
Nonverbal qualifing (a form of nonverbal pushing)……………….........................
Nonverbal accepting them )a form of nonverbal pulling………………..................
Standing at an angle……………………................................................................
Nonverbally sending mixed signals……………………………………………..........
Physically Pushing & Pulling…………………….....................................................
Review....................................................................................................................
Homework……………………………………………………………………….............
Chapter XVI: Using role-pIaying as a tool for PRIZING…………
Why it is so powerful……………………..................................................................
Let’s pretend you are my dog……………………......................................................
Review.………………………………………………………………………………........
Homework…………………………………………………………………………...........
Part 4: Chick tests & chick frames..............................
Chapter XVII: Types of chick tests.................................................
Intentional testing…………………….........................................................................
Unintentional testing……………………….................................................................
Being judged by a chick…………………………………………………………………..
Some final thoughts on types of testing…………………………................................
Review......................................................................................................................
Homework…………………………………………………………………………............
Chapter XVIII: Chick frames.............................................................
Review……………………………………………………………………………………….
Homework..………………………………………………………………………...............
Chapter XIX: Reframing chick tests & chick frames......................
Redefine......................................................................................................................
Apply back to chick…………………………………………………………………………..
Review………………………………………………………………………………………....
Homework.....................................................................................................................
Chapter XX: Outframing chick tests & chick frames........................
Bad intentions framing...................................................................................................
Undesirable attributes framing…………………………....................................................
Consequence framing…………………………................................................................
Review…………………………………………………………………………………………..
Homework………………………………………………………………………………………
Part 5: Putting it all together.............................................
Chapter XXI: How to turn an innocent conversation into a one-night-
stand........................................................................................................
The Approach……………………………………………………………………………...........
PrizabiIity……………………………...................................................................................
Pizing ................................................................................................................................
The Kiss……………………………………………………………………………………………
The Shag……………………………………………………………………………………….......
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Part 1: Becoming the Prize
The first part of this book is going to impart you with some very powerful
beliefs, attitudes, and frames for being the sort of man hot women pursue. I
know some of you are going to feel tempted to skip over this section and go
straight to the sections on PRIZABILITY and PRIZING.
However, fight against this temptation.
The reason is that the beliefs, attitudes, and frames l have included in this
section are essential for mastering the arts of both PRIZABILITY and
PRIZING.
If you consider yourself well motivated and want optimal results, read this
section twice.
Chapter I: My Story
Ever since l was a kid l was fascinated by the art of picking up and seducing
women. I still have vivid memories from being a kid of going to the mall with
buddies and trying to GAME chicks--we would usually fail miserably because
we were stilI GAMING, but in time this all changed.
When l was in Junior high school l was a total nerd. So, before l entered high
school l made a conscious effort to change myself: I read a couple of books
on dating, changed my dress and got a cool haircut. Did this make a
difference? You bet your ass it did. By high school l had a few girls as
consistent booty calls, and had a couple hot girlfriends. This was nothing to
write home about, but at least l was getting laid.
Then l went off to college and my sex life plummeted. One time after not
getting laid for several months, I went to a frat party and fucked a total warpig
(“warpig" is slang for
fat chick with a mustache). When l woke up the next morning, I was half
suffocated by her thick torso wrapped around me, and half depressed that l
had stooped to an all time low. I knew that l had to do something about this
area of my life. Some people told me that dwelling on this was superficiaI. I
thought: they might be right, nonetheless, getting this area of my life out of the
way seems damn significant to me.
So, at that moment l made a conscious effort to seriously start improving my
skills with women.
At first l studied videos, books, and tapes on the subject -- I even studied
hypnosis and NLP. I did have some success after studying all of this materiaI.
However, Iooking back, a lot of the success l had was probably due to both
me having something to say and my confidence in
the material l had studied (Iook, if you say anything with confidence that isn't
totally offensive, a certain amount of women are going to be into it just
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because you are giving them attention. The problem is this: these women are
usually not the women we desire).
As time went on, I stopped trying to GAME or win over the women l desired,
and started PRIZING them. This resulted in me not only bedding more, but
bedding hotter girls.
Much of what l was doing to PRIZE these women had little to do with the
original material l had studied.
Even weirder was this: during this time l had a chance to meet and befriend
many of the so-called pickup gurus. Many of the things that made them
successful had almost nothing to do with what they taught.
I think a big problem was not that these guys were consciously secretive
about this skill set, but that they were not conscious of having it. Some of
these guys taught me a lot.
However, it was only once l put a valiant effort into befriending, talking to,
analyzing, and sleeping with women, that l really begun to understand how to
PRIZE.
The reasoning for this is twofold. Firstly, most women, unlike men, intuitively
understanding how to PRIZE: get men chasing them. So, by spending most
of my time with, not men, but women, I Iearned how to PRIZE. Secondly, you
have to know the nature of the beast, to compel it to chase you. Put in
other words, I Iearned how to make women tic by being around them.
Moving forward.
Chapter II: Attributes of men who are the PRIZE
When l was younger l was always under the impression that women assessed
a man's worth by the value of the things he possessed: his looks, his clothes,
his car, his house, etc. But then in college l came into contact with a man who
had none of these things: he was old, ugly, bald, poor, and neither owned a
car nor a house. However, hot women were always befriending him, flirting
with him, calling him, and sleeping with him. This was not just
something he told me. I saw with my own eyes hot women dashing up to him
and embracing him with giant bear hugs, Iustfully admiring him, and then
begging him to go on a date with them. Often times, he would slowly look
them directly in the eyes and calmly utter, "No". Then they would try to
persuade him why he should go out with them. Once again, he would slowly
look into their eyes, cock one eyebrow, and calmly utter, "No". This really
frustrated women, but was fascinating to watch. At first l did not understand
what was going on. I even contemplated him being a drug dealer. But what l
did not realize at the time was that he was doing certain things that conveyed
to women that he was the PRIZE. Since then, I have encountered several
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