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The Bourne Ultimatum.fdr
PRODUCTION # 802345
THE BOURNE ULTIMATUM
Screenplay by
Tony Gilroy
and
Scott Z. Burns
and
George Nolfi
Screen Story
by
Tony Gilroy
Based on the novels by Robert Ludlum and Universal's
"The Bourne Identity" and "The Bourne Ultimatum"
FINAL SHOOTING SCRIPT
June 20, 2007
Notice:
This material is the property of Beach City Productions LLC
(A wholly owned subsidiary of Universal City Studios, Inc.)
and is intended and restricted solely for studio use by
studio personnel. Distribution or disclosure of the
material to unauthorized persons is prohibited. The sale,
copying or reproduction of this material in any form is
also prohibited.
1
1
EXT. NIGHT. HOUSING PROJECTS -- MOSCOW
1
SMASH CUT
MOTION -- flat out -- it’s us -- we’re running -- stumbling
-- breathing rushed -- blood in the snow...
We are JASON BOURNE and we’re running down an alley...
Supered below: MOSCOW
BLUE LIGHTS -- from the distance -- strobing through the
night -- rushing toward us -- POLICE CARS -- three of them -
- SIRENS HOWLING as they bear down -- closer -- faster --
until they whip past the alley...
Up against the wall -- BOURNE is hidden in the shadows.
BOURNE is badly wounded -- shot through the shoulder --
bruises and broken bones from the final car chase in
SUPREMACY...
With a GROAN, he lifts himself up, staggers across a park
toward a PHARMACY...
4
INT. NIGHT. PHARMACY -- MOSCOW
4
ROWS of MEDICINE and FIRST AID supplies, and in the
background, a DOOR being jimmied...It’s BOURNE...The ALARM
goes off...
MACRO ON -- MEDICINE BOTTLE
VICODIN, as BOURNE grabs it...Then PENICILLIN...
Then SURGICAL SUPPLIES:
Scalpel...Forceps...Sutures...Cotton gauze...Betadine...
BOURNE finds a large sink...Rests his gun there...Lays out
SURGICAL SUPPLIES...Checks out his back in the
mirror...Opens the capsules of penicillin and pours the
powder directly into the wound...Begins treating himself...
5
EXT. NIGHT. PHARMACY -- MOSCOW
5
A POLICE CAR pulls up to the curb, lights flashing. One
POLICEMAN goes to the jimmied DOOR. SECOND POLICEMAN sees
blood and footprints. He motions to his partner to
follow...
6
INT. NIGHT. PHARMACY BATHROOM -- MOSCOW
6
BOURNE finishing up -- splashes water on his face -- he
seems a man on a mission. He looks up --
2
A MIRROR.
His face...
FB1
FLASHBACK -- JUMBLED STREAKY IMAGES:
FB1
“415” written on a building.
DISEMBODIED VOICE (HIRSCH)
Welcome to the program...
POV Bourne walks down a corridor (corridor #1).
6AA
INT. NIGHT PHARMACY -- MOSCOW
6AA
The cops approaching.
FB1A
FLASHBACK -- JUMBLED STREAKY IMAGES:
FB1A
Daniels leading Bourne down the corridor.
DISEMBODIED VOICE (V.O.)
You’ll be saving American lives.
A black sack is thrown over Bourne’s head, then:
(STOCK) A torrent of quick shots of Bourne’s kills: the
Professor, Jarda, the blonde guy in Paris, Mr. And Mrs.
Neski...
And finally. BANG -- Marie hit in the head. The car off
the bridge. She sinks away dead...
6A
INT. NIGHT PHARMACY -- MOSCOW
6A
The POLICE enter the back room, guns drawn.
POLICEMAN #1
Put your hands on your head and
turn around slowly!
BOURNE snaps out of it, doesn’t move. POLICEMAN #1 (older)
approaches him. When BOURNE doesn’t respond to his
questions, the POLICEMAN starts forward. BOURNE turns and
in one motion grabs his gun from the sink and disables the
POLICEMAN.
BOURNE freezes POLICEMAN #2 with his gun and a look.
BOURNE
(in Russian)
Give me your gun and radio.
POLICEMAN #2’s gun and radio skittle across the floor.
3
BOURNE
(in Russian)
My argument is not with you.
BOURNE smashes the radio and takes the gun.
BOURNE exits...
BLACK SCREEN
A TITLE fades in --
THE BOURNE ULTIMATUM
SUPER: Six Weeks Later
6B
OMITTED
6B
6C
OMITTED
6C
6D
OMITTED
6D
6E
OMITTED
6E
6F
OMITTED
6F
6G
OMITTED
6G
6F
OMITTED
6F
6G
OMITTED
6G
8B
EXT. DAY. LANGLEY, VA
8B
Establishing shot -- CIA Headquarters
8C
INT. CIA -- DAY
8C
A workman installs a nameplate that reads: Ezra Kramer,
Director, CIA.
8C
INT. KRAMER’S OFFICE -- DAY
8C
Kramer listens to a recording with Landy and Cronin. There
are unhung pictures and a few other items that indicate he
has just moved into this job.
4
Two other senior CIA officials sit in on the meeting.
Kramer looks at a file on Bourne and Abbott.
BOURNE (V.O.)
So we got in the way? Is that
why Neski died? Is that why you
killed Marie?
Kramer glances at a photo of Marie in the file.
ABBOTT (V.O.)
You killed Marie the minute you
climbed into her car. The
minute you entered her life she
was dead!
Kramer looks at Abbott’s official photo .
BOURNE (V.O.)
I told you people to leave me
alone! I fell off the grid. I
was half way around the world.
ABBOTT (V.O.)
There’s no place it won’t catch
up to you. It’s how every story
ends. It’s what you are, Jason.
A killer! You always will be.
THUMP!
CRONIN
We think that’s Bourne hitting
him on the head and then--
He makes a gun with his hand, i.e. Bourne putting his gun
to Abbott’s head.
ABBOTT (V.O.)
Go ahead! Go on! Do it!
BOURNE (V.O.)
She wouldn’t want me to. That’s
the only reason your alive.
The tape clicks off.
KRAMER
Who’s “she?”
CRONIN puts a picture of MARIE in front of KRAMER.
LANDY
His girlfriend, Marie. She was
killed in India three weeks ago.
Kramer looks down at another image. Abbott dead after his
suicide .

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