Tomb Raider Angel of Darkness Prima Official eGuide.pdf

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PRIMA’S OFFICIAL STRATEGY GUIDE
PRIMA GAMES
A Division of Random House, Inc.
3000 Lava Ridge Court
Roseville, CA 95661
1-800-733-3000
www.primagames.com
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The Prima Games logo is a registered trademark of Random House, Inc.,
registered in the United States and other countries. Primagames.com
is a registered trademark of Random House, Inc., registered in the
United States.
© 2003 by Prima Games. All rights reserved. No part of this book may be
reproduced or transmitted in any form or by any means, electronic or
mechanical, including photocopying, recording, or by any information
storage or retrieval system without written permission from Prima Games.
Prima Games is a division of Random House, Inc.
Associate Product Manager: Jill Hinckley
Project Editor: Teli Hernandez
Acknowledgements
Prima would like to thank everyone at Core Design, Eidos UK, and Eidos US who
helped in the creation of this book. In particular, this guide would not have been
possible without the help and support of Mike Schmitt and Corey McCracken.
Thank you!
David S. J. Hodgson would like to thank his wife, Melanie; Mum, Dad, Ian;
Bryn G. Willia; Jennifer, Jill, and Teli from Prima for their help, support, and
merriment; Bryan Stratton for accidentally picking the difficult levels to
write; Carl McCoy and the real Nephilim (Blessed Be); and the letter "E",
for Ernest, who choked on a peach.
Bryan Stratton would like to thank Jill Hinckley, Teli Hernandez, and
everyone at Prima who put in the necessary long hours to get this
book into your hands. Thanks also to David Hodgson, with whom
I enjoyed losing my mind, and Steve Stratton and Holly Hannam
for reminding me to shower and eat occasionally.
Lara Croft Tomb Raider: The Angel of Darkness © Core Design
Limited, 2003. Published by Eidos Interactive Limited, 2003.
Core, Lara Croft and Tomb Raider are registered Trademarks of
Core Design Limited. Lara Croft Tomb Raider: The Angel of
Darkness is a trademark of Core Design Limited. Eidos, Eidos
Interactive and the Eidos Interactive logo are trademarks of
Eidos Interactive Limited. All Rights Reserved.
All products and characters mentioned in this book are
trademarks of their respective companies.
Please be advised that the ESRB rating icons, "EC", "K-A", "E", "T",
"M", "AO" and "RP" are copyrighted works and certification marks
owned by the Interactive Digital Software Association and may only
be used with their permission and authority. Under no circumstances
may the rating icons be self applied or used in connection with any
product that has not been rated by the ESRB. For information regarding
whether a product that has no been rated by the ESRB, please call the
ESRB at 1-800-771-3772 or visit www.esrb.org. For information
regarding licensing issues, please call IDSA at (212)223-8936. Please
note that ESRB ratings only apply to the content of the game itself and
does NOT apply to the content of this book.
Important:
Prima Games has made every effort to determine that the information
contained in this book is accurate. However, the publisher makes no
warranty, either expressed or implied, as to the accuracy, effec-
tiveness, or completeness of the material in this book; nor does the
publisher assume liability for damages, either incidental or conse-
quential, that may result from using the information in this book.
The publisher cannot provide information regarding game play, hints
and strategies, or problems with hardware or software. Questions
should be directed to the support numbers provided by the game
and device manufacturers in their documentation. Some game tricks
require precise timing and may require repeated attempts before the
desired result is achieved.
ISBN: 0-7615-4039-3
Library of Congress Catalog Card Number: 2002114069
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Contents
Return of the Monstrum . . . . . . . . . . . . . . . . 4
How to Use this Guide . . . . . . . . . . . . . . . . . 6
Training: The Craft of Croft . . . . . . . . . . . . . 7
Walking, Jogging, and Sprinting . . . . 7
Making Turns . . . . . . . . . . . . . . . . . . . . . 7
The Walk Button . . . . . . . . . . . . . . . . . . 8
360-Degree View . . . . . . . . . . . . . . . . . . 8
The Stealth Button . . . . . . . . . . . . . . . . 9
Kurtis's Farsee Ability . . . . . . . . . . . . . . 9
Camera View . . . . . . . . . . . . . . . . . . . . . 10
Crawling . . . . . . . . . . . . . . . . . . . . . . . . . 10
Combat . . . . . . . . . . . . . . . . . . . . . . . . . . 11
Jumping . . . . . . . . . . . . . . . . . . . . . . . . . 13
Falling . . . . . . . . . . . . . . . . . . . . . . . . . . . 14
Swimming . . . . . . . . . . . . . . . . . . . . . . . 15
The Hand Icon . . . . . . . . . . . . . . . . . . . . 16
The Inventory Screen . . . . . . . . . . . . . 17
Upgrades . . . . . . . . . . . . . . . . . . . . . . . . 17
Top Ten Tips for Surviving
and Thriving . . . . . . . . . . . . . . . . . . . . . . 17
The Book of Monsters . . . . . . . . . . . . . . . . . 20
Friends . . . . . . . . . . . . . . . . . . . . . . . . . . 20
Foes . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 23
Fiends . . . . . . . . . . . . . . . . . . . . . . . . . . . 26
Items and Weapons . . . . . . . . . . . . . . . . . . . 32
Healing Items . . . . . . . . . . . . . . . . . . . . 32
Valuable Items . . . . . . . . . . . . . . . . . . . . 32
Mission-Critical Items . . . . . . . . . . . . . 33
Weapons . . . . . . . . . . . . . . . . . . . . . . . . . 37
Walkthrough
Parisian Back Streets . . . . . . . . . . . . . . 40
Derelict Apartment Block . . . . . . . . . . 43
Industrial Roof Tops . . . . . . . . . . . . . . . 45
Margot Carvier's Apartment . . . . . . . . 48
Parisian Ghetto . . . . . . . . . . . . . . . . . . . 49
Willowtree Herbalist . . . . . . . . . . . 52
St. Aicard's Church . . . . . . . . . . . . 52
Rennes' Pawnshop . . . . . . . . . . . . . 53
Café Metro . . . . . . . . . . . . . . . . . . . 53
Parisian Ghetto Park . . . . . . . . . . . 54
Le Serpent Rouge . . . . . . . . . . . . . . . . . 55
St. Aicard's Graveyard . . . . . . . . . . . . . 63
Bouchard's Hideout . . . . . . . . . . . . . . . 65
Louvre Storm Drains . . . . . . . . . . . . . . 69
Louvre Galleries . . . . . . . . . . . . . . . . . . 75
The Archaeological Dig . . . . . . . . . . . . 82
Tomb of Ancients . . . . . . . . . . . . . . . . 86
The Hall of Seasons . . . . . . . . . . . . . . . 91
Neptune's Hall . . . . . . . . . . . . . . . . . . . . 95
Wrath of the Beast . . . . . . . . . . . . . . . . 97
The Sanctuary of Fire . . . . . . . . . . . . . 99
The Breath of Hades . . . . . . . . . . . . . . 100
Returning to the Dig Site . . . 102
Galleries Under Siege . . . . . . . 106
Von Croy's Apartment . . . . . . . . 109
The Monstrum Crimescene . . . . . 112
Strahov Fortess . . . . . . . . . . . . . . . . 116
The Bio-Research Facility . . . . . . . . . 123
Sanitarium . . . . . . . . . . . . . . . . . . . . . . 135
Maximum Containment Area . . . . 140
Aquatic Research Area . . . . . . . . . 145
Vault of Trophies . . . . . . . . . . . 151
Boaz Returns . . . . . . . . . . . . 155
The Lost Domain . . . . . . . . 157
Eckhardt's Lab . . . . . . . . . 161
Lara's Notebook . . . . . . . . . . . . . 167
Professor Von Croy's
Notebook . . . . . . . . . . . . . 170
Notes from the Brotherhood
of the Lux Veritatis . . . . 172
Lara's Upgrade Chart . . . . . . 174
Building the
Upper Body . . . . . . . . . . . 174
Building the
Lower Body . . . . . . . . . 175
PRIMAGAMES.COM
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PRIMA’S OFFICIAL STRATEGY GUIDE
Return of the Monstrum
S PE CIA L CRI ME S I NV EST IG ATI ON FO RC E
T O T HE PR EFE CT URE DE PO LIC E
R E PO R T O N R EC EN T SE R IA L
A TR O CI TI ES W IT HI N T H E C A PI TA L
As y et no sign ifican t arr ests have been mad e for this lates t spa te of "Mon stru m"
leavi ng th e ap artme nt o f the lates t vict im, P rofes sor W erne r Vo n Cro y. De scrib ed
as C aucas ian, brun ette, about 1.8m , an d of slim build, she was wear ing je ans, a
deni m jac ket, a nd s porte d a p ony tail. S he is dan gerou s an d pro bably arm ed.
Offic ers a re be ing a dvise d to use e xtrem e ca ution whe n ap prehe ndin g the susp ect.
T he p ress have sens ation alize d thi s late st ou tbrea k of killin gs a s "Th e
M onstr um's Dark Ren aissa nce, " ref errin g to s imila r atr ocitie s in the c apita l
ov er th e las t dec ade, and p ossib ly as far back as th e 19 50s. Ther e are defi nite
lin ks to atro cities in o ther Euro pean citie s goi ng ba ck a t leas t 50 year s.
For ensic s hav e ma de n o hea dwa y reg ardin g the biza rre m etal lic er uptio ns
found on the b odies of a ll vic tims. At p resen t, no thing app ears to lin k an y of the
indiv idual s inv olved . The re ha ve b een s ignif icant num bers of ca sualt ies w ithin
Paris ian g angla nd f actio ns.
I t wou ld al l app ear t o be the w ork of a single , hig hly p sych otic p erpe trato r. The
bod ies w ere desec rated and all c rime scen es da ubed with unin telli gible graff iti,
ind icati ng so me r ituali stic f ixati on. T here are n o kn own surv ivors of th ese
att acks so fa r.
The susp ect's appr ehen sion shou ld be mad e top prio rity.
4
CE NTRA L NA TIO NAL B URE AU, PARI S
CO MM IS SIO NE R M IR EP OIX ,
killin gs in the capit al; se vente en h ave b een repor ted s o far . A w oman was seen
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