cz.II s.20.pdf

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SuzukiMethod International

Sdi'Vlomschool

YIOIINP\RT

Sole publisher for the entire world except Japan:

Summy-Birchard Inc.

exclusively distributed by

Warner Bros. Publications Inc.

15800 N.W.48thAvenue

Miami, Florida 330T4

Printedin U.S.A.

ISBN 0-81487-146-8

The Suzuki name, logo and wheel device

are trademarks of Dr. Shinichi Suzuki used under

exclusive license by Summv-Birchard"Inc.

ofthecompositions

containedin thiscollectionrequiresthewrittenconsentof the Publisher.

No partof thisbookmaybe photocopied or reproduced

orarrangement

in anywaywithoutpermission.

Unauthorizedusesarean infringementof the U. S. CopyrightAct andare punishable by Law

]-3.

YOrtDInz

Anyduplication,

adaptation

INTRODUCTION

FOR THE STUDENT: This material is part of the worldwide Suzuki Method of

teaching.Companion recordingsshould be usedwith these publications.In addi-

tion, there are piano accompaniment books that go along with this material.

FOR THE TEACHER.' In order to be an effective Suzuki teacher,a great deal of

ongoing education is required. Your national Suzuki association provides this for

its membership. Teachersare encouragedto becomemembers of their national

Suzuki associationsand maintain a teacher training scheduleo

FOR THE PARENT: Credentials are essentialfor any teacher that you choose.

We recommend you ask your teacher for his or her credentials,especially listing

those relating to training in the Suzuki Method. The Suzuki Method experience

should be a positive one,where there existsa wonderful, fostering relationship

betweenchild, parent and teacher.So choosing the right teacher is of the utmost

importance.

In order to obtain more information about the Suzuki Metho4 pleasecontactyour

country'sSuzukiAssociation, the InternationalSuzukiAssociationat 3-10-15 Fukashi,

MatsumotoCity 390, JWan,The SuzukiAssociationof theAmericas,1900Folsom

#101, BoulderColorado80302or Summy-Birchard

Licensedby WarnerBros.Publications

Inc.

-..+--=;

"te-r}&'

www.carisch.com

- Milono

All rightsreserued.No part of thisbookmaybe photocopied or reproduced

in anywaywithoutpermission.Unauthorizedusesare punishableby law.

by NUOVACARISCH

s.r.l,

in order to remain

current, via institutes, short and long term programs.You are also encouragedto

join the International Suzuki Association.

Inc.,c/oWarner Bros.

PublicationsInc.. 15800N.W.48th Avenue,Miami, Florida33014.

our catalogue

on line

r;=ii-i

Thisolbum@2OO2

C(NTDITTS

2.. oo...oo....... o...o..... o...o..... ....4

EfflJ Chorus from ttJudas lVlaccabaeust',G. E Hgndel . . . . . . . . o. o. . . . . ......7

StudyPoints

forVolume

MusetteoJ. S. Bach oo.. r.... o..... oo..... o.oo.oooooor.... r. ......7

f_l_l HunterstChorus,C.M.vonWebgr.. ooo......,lo o.o................8

lrong,InngAgoo T.H. Bayly'..oo.. oo......... i... ooooooo.o. o.r.. ...9

f.!! Walt4J. Brahms .. o.o....... rr. ooo.... oo... o... ooo.oo...... o..10

l-{l BounderG.E Handel .ooo..oo....... oo..... oo............... o...ll

fZJ Thefiro Grenadiers,

R.Schumann.. o.....................

ooo....12

LqJ Themefrom 56Witchestl)ancet'rN.

Paganini ....... oo... o.... o......13

t2J Gavotte

fromttllignon"rA.Thomas .. oo.o..... ooo.o.. r. oo...... ...14

Gavotte,

J.B.Lully... o.. oro.o.... o.oooo..o.... r. o.oo..o..... '..16

f --lr--

Minuetin G L.vgnBgethovgn of.o.... ooo.o.... o........ ?........lE

Minuet,L.Boccherini.o..oooo.o..o...... o..... o... oo.o...... o..lg

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Study Pointsfor Volume2

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Points d' Etude pour le Volume 2

Studium Hinweise fiir Bund 2

Puntosde Estudio para el Vol. 2

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1. The child should listen to the reference recordings

1. Das Kind sollte jeden Tag dic d.iesbeziigliche

every day at home to develop musical sensitivity. Rapid

Schallplutten-Aufnahme daheim anhdren, um seine

progress depends on this listening.

musikulische EmpJindsumkeit zu entwickeln Rascher

2.Tonalization, or the production of a beautiful tone,

Fortschritt hiingt von diesemZuhdren ab.

should be stressed in the lesson and at home.

2. Tbnftihrung oder das Heworbringen eines schdnen

3. Constant attention should be given to accurate

Tbnessollte im Unterricht und daheim besondersbetont

intonation, correct posture, and the proper bow hold.

werden.

3. Stiin dige Aufm erksamkeit sollte der genaa en

Intonierang, korrekter Haltung und richtiger

Bogenftihrung gezollt werden.

1. L'enfont devrait 1couter le disque de

1. El niffo debe escucharlos discos de referenciacada

rifdrence chaque jour d Ia maison, afin de d,ivelopper

dia en su casapara desarrollar sensibilidad musical. El

une sensibtlitd musicqle. Des progrds rapides

progreso r6pido dependede estaaudici6n.

ddpendentde cette audition.

2. Sonidizaci6n, o producci6n de un tono hermoso debe

2. La tonalisation, ou la production de beaux tons,

ser enfatizadaen la lecci6n y en casa.

devrait €tre travaillde pendant la legon et d la maison.

3. Una atenci6n constantedebe ser prestadaa una

3. Une attention constantedevrait €tre donnbeafin

afinaci6n exacta,postura correcta y la forma debida de

d'obtenir une intonation exacte,une posture correcte

sujetar el arco.

et une bonnetenuede I'archet.

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