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Beyond identity
Feminism, identity and identity politics
Feminist Theory
Copyright © 2000
(London,
Thousand Oaks, CA
and New Delhi)
vol. 1(3): 289-308.
[1464-7001
(200012)1:3;
289-308; 015099]
Susan Hekman University of Texas at Arlington
Abstract This article is a critique, first, of the theory of identity
advanced by Judith Butler and many of the feminist critics of identity
politics, and, second, of identity politics itself. I argue that Butler’s
rejection of the modernist subject for its opposite, the fictional,
substanceless subject, is untenable. Looking to object relations theory, I
argue instead for a concept of the subject as an ungrounded ground,
occupying a middle ground between the postmodern and the modern
subject. With regard to identity politics I argue that instead of
populating the political realm with multiple identities, we should
instead remove identity entirely from the political realm.
keywords gender, subject
Introduction
Why has the issue of identity become so problematic in feminist theory and
practice? Why has identity politics been so widely criticized, even vilified
by feminists of many different persuasions? Why do the issues raised by
identity and identity politics seem to be so intractable, failing to yield to
any of the many solutions that have been proposed to resolve them? Despite
more than a decade of discussion, the problems raised by identity and iden-
tity politics have, far from disappearing, become something of an obsession
among feminists. 1
Why this is the case is not immediately apparent. Both the approach to
identity dominant in contemporary feminism and the presuppositions of
identity politics seem, on the face of it, to be uniquely appropriate to the
problems facing contemporary feminism. Particularly in the USA, the
theory of identity that has been at the center of feminist debates in the past
decade is a version of that articulated most dramatically by Judith Butler in
Gender Trouble (1990) and subsequent works. Although Butler’s approach
is often criticized, it has had a profound effect on feminist discussions of
identity, defining the terms of many of those discussions. At the center of
Butler’s work is the replacement of the notion of a fixed, essential identity
with that of an identity constituted by fluctuating and fluid discursive
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forces. Butler’s theory replaces the essential subject of modernist discourse
and psychoanalytic theory with ‘inessential woman’, a being constructed by
the discourses constituting her world. The identity that Butler proposes
seems to sweep away all the problems created by the modernist identity of
‘woman’, problems that had plagued both first-wave and second-wave
feminist theory. In its place Butler offers a socially constituted ‘woman’ who
resists this identity by revealing it to be a fiction.
Identity politics, similarly, seems to be the necessary antidote to the prob-
lems that have faced women in the political realm. First-wave feminism,
emphasizing the equality of men and women, addressed the problem of
women’s political identity by attempting to fit women into the universal
category of ‘citizen’. Second-wave feminism’s discovery that this category
was inherently rather than incidentally masculine effectively canceled that
strategy. But the solution offered by second-wave feminism, emphasizing
the differences between men and women and defining feminist politics in
terms of the universal category ‘woman’, turned out to be equally flawed.
The category of ‘woman’ enshrined the hegemony of the white, middle-
class, heterosexual woman, relegating other women to the margins of
feminist politics.
From this perspective the advent of identity politics seemed to be the
perfect solution for feminist politics. Identity politics offers a plethora of
identities from which women can choose. Instead of being limited to one
general and necessarily hierarchical category of ‘woman’, women can
choose an identity that fits them, one that resonates with their particular
situation. Identity politics has overcome the homogenizing tendencies of
second-wave feminism by acknowledging the differences among women
and, most significantly, attacking the hierarchy concealed in the concept
‘woman’.
The promise implicit in the new feminist theory of identity and femin-
ist identity politics, however, has not materialized. Many feminists have
argued that Butler’s theory of identity goes too far in destabilizing identity.
But exactly what is wrong with Butler’s theory and what we might replace
it with remains unclear. Identity politics as a strategy for the political
empowerment of women has also been widely criticized. Despite these
criticisms, however, many feminists are reluctant to abandon this strategy
entirely, because it seems to be a necessary vehicle for the diverse array of
women in the political realm. 2
It is my contention that this stalemate is the result of two fundamental
problems. First, the theory of identity advanced by Butler that forms the
basis of many feminist critiques of identity politics rests on an underlying
misunderstanding: that there is no middle ground between the metaphys-
ical modernist subject on one hand and the total deconstruction of identity
on the other. In her zeal to deconstruct the modernist subject, Butler
embraces its polar opposite: the subject as fiction, fantasy, play. I argue that
this is a false antithesis and that a middle ground on identity is both poss-
ible and necessary. My thesis is that identity can and must be defined as
having a stable ground, what I call an ungrounded ground, but that this
definition need not assume the metaphysical baggage of the modernist
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Hekman: Feminism, identity and identity politics
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subject. The second problem in the debate over identity and identity poli-
tics is also related to the modernist subject. The modernist subject that
Butler rejects is rational, autonomous and, most importantly, disembodied.
In the political realm this subject translates into the ‘universal citizen’ who
has no race, class, gender or culture. In reality, however, this universal
citizen has a very distinct identity – the white, male, property owner of the
Lockean tradition – and this particular identity is a prerequisite for politi-
cal participation. It is this identity that has created the problem that iden-
tity politics seeks to address. My thesis is that the antidote to this politics
is not a proliferation of multiple identities in politics but, rather, removing
identity entirely from the sphere of politics.
Unless we understand the roots of the problems that have created the
present feminist stalemate on identity and identity politics, we will be
unable to move beyond those problems. My aim in the following critique
of Butler’s theory of identity and the critiques of identity politics is both to
reveal those roots and to suggest alternatives. My argument for, first, a
middle ground on the concept of identity and, second, a politics beyond
identity is informed by the conviction that feminists must transcend rather
than replicate the errors of identity.
Doers and deeds: Butler’s theory of identity
To say that Judith Butler’s Gender Trouble changed the theoretical land-
scape of feminist theories of identity and identity politics is an under-
statement; it is more accurate to say that, since Gender Trouble , any
feminist analysis of identity has to take Butler’s theory into account. It is
obvious, furthermore, that profoundly altering feminist theories of identity
and the feminist practice of identity politics was precisely Butler’s inten-
tion. The first pages of Gender Trouble make it clear that the objects of
Butler’s critique are the identity of ‘woman’ and the kind of politics
informed by this identity. Specifically, her intention is to reveal the liabil-
ity of the first, and, consequently, the futility of the second. In my critique
of Butler, my intention is to show that the concept of gender identity that
she proposes as an alternative to ‘woman’ is just as flawed as the original
concept and, consequently, that the concept of resistance that she advo-
cates as a counter to identity politics is similarly flawed.
The object of Butler’s critique of identity is the modernist subject, a subject
defined as constituted by an abiding substance, a core identity. Her central
thesis is that the keys to this abiding substance are the stabilizing concepts
of sex, gender and sexuality. Against this conception of the identity of the
subject Butler offers an array of arguments. First, she asserts that the modern-
ist subject rests on an ontological mistake. There is, she asserts, no ‘abiding
substance’ called ‘man’ or ‘woman’ but, rather, these identities are produced
through the compulsory ordering of attributes into coherent gender
sequences (1990: 24). The ontological assumption of the modernist subject,
thus, is false: there is no ‘there’ there: ‘There is no gender identity behind the
expressions of gender’ (1990: 25); the gendered body ‘has no ontological
status apart from the various acts which constitute its reality’ (1990: 136).
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Butler’s second argument is that this ontological fiction, the identity
‘woman’, conceals the acts through which it is constituted. Assuming that
‘woman’ is a stable entity, in other words, blinds us to the constitution of
that entity; instead we see it as ‘natural’. Against this, Butler argues that
her goal is to produce a ‘genealogy of gender’ that reveals the contingent
acts that constitute the appearance of natural necessity (1990: 35). If the
‘abiding substance’ ‘man’ or ‘woman’ is produced through the compulsory
ordering of attributes into coherent gender sequences, then Butler wants to
reveal the source of the compulsion behind this process.
In order to establish these two arguments, Butler elaborates her alterna-
tive theory of gender: performativity. If there is no substance behind gender
identity, then ‘that identity is performatively constituted by the very
“expressions” that are said to be its results’ (1990: 25). Gender identity is
‘tenuously constituted in time, instituted through an exterior space through
a stylized repetition of acts ’ (1990: 140; emphasis in original). This thesis,
originally advanced in Gender Trouble , is clarified in Butler’s subsequent
book, Bodies that Matter (1993). Here Butler argues that in Gender Trouble
she did not define sex as a ‘performance’ in the sense that a pre-existing
subject performs a role. Rather, she asserts that her intention was to define
sex as performativity in the sense that it entails the forced reiteration of
norms that constitute the subject. It is not free play but is, rather, con-
strained by the hegemony of specific gender norms (1993: 94–5).
It should be clear from these arguments why Butler rejects identity poli-
tics. Not only does the politics of ‘woman’ rest on an ontological confusion,
but it is actually detrimental to the cause of feminism because it conceals
the mechanisms that constitute women’s subordination. At the beginning
of Gender Trouble Butler states that, ‘Feminist critique ought also to under-
stand how the category of “woman,” the subject of feminism, is produced
and restrained by the very structures of power through which emancipation
is sought’ (1990: 2). Identity politics conceals the political, discursive
origins of the fabricated core of gender identity. By deconstructing identity
politics, however, we can establish as political the very terms through
which identity is articulated (1990: 148).
If identity politics is detrimental to the cause of feminism, then what
form of resistance is appropriate for feminists? Or, in the terms of her book’s
title, how do we create gender trouble? On the face of it, Butler’s answer to
this question is straightforward: gender trouble is created by not ‘doing’
gender as it is supposed to be done. The first formulation of this strategy is
Butler’s statement that if gender is established in multiple ways, then it can
be disrupted in multiple ways as well. Such disruptions, she hopes, will
reveal the contingency of gendered identity and hence its vulnerability
(1990: 32–4). This vague formulation is defined at the end of Gender
Trouble in the strategy of pastiche. Butler carefully distinguishes pastiche,
the mocking of the notion of an original, from parody, the mocking of an
original (1990: 138). Pastiche, she concludes, will create gender trouble that
will undermine the constructions of gender (1990: 147).
In what might be an implicit recognition of the inadequacy of these vague
formulations, Butler returns to the issue of resistance in Bodies that Matter .
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Here she introduces a refinement of her theory that places significant
restrictions on the possibilities of resistance. Resistance, she argues, cannot
enter into the dynamic by which the symbolic reiterates its power if it is to
be successful in displacing that power. What this means is that the radical
refusal of the law of sex, and, particularly, embracing its opposite, will
serve to reinforce rather than displace that law (1993: 106–13).
Butler acknowledges that the strategy she rejects – the absolute opposi-
tion of the law of sex – is an attractive one. The demand to radically over-
come the constitutive constraint of the law, she notes, is its own form of
violence. But she nevertheless insists that this strategy is doomed. She
argues, for example, that a lesbian who opposes heterosexuality absolutely
may be more in its power than a straight woman (1993: 116–17). Butler’s
alternative is what she calls ‘positions of resistance’, specifically ‘queer
politics’. Certain disavowals are fundamentally enabling; others are not. We
can conclude from this that queer politics is one of these; ‘straight’ lesbian
politics is not. But we are never given specific guidelines by which we can
distinguish one from the other. It is significant that at the very end of the
book Butler herself raises this question by asking: ‘How will we know the
difference between the power we promote and the power we oppose?’
(1993: 241). Instead of answering this question, she instead asks another:
‘Is it, one might rejoin, a matter of “knowing?”’ Our error, she implies, is
to assume that this distinction is something that can be fully and finally
known.
The two conclusions I want to draw from this analysis of Butler’s work
are closely related. First, Butler’s theory of gender identity as perfomativ-
ity is inadequate for a reason that she herself explicitly condemns: it adopts
the polar opposite of the position she rejects and, thus, is constituted and
constrained by that concept. As Butler herself repeatedly tells us, opposites
inhabit each other. She rejects the opposite of the law of sex as a possible
site of resistance. Yet the theory of gender as performativity that she
embraces is itself an opposite. Butler rejects the ontology of the modernist
subject, an ontology of the abiding substance of sex. But she then embraces
the opposite of this concept, a substanceless gender identity. By her own
theory, this is a flawed strategy.
There are indications that, on some level, Butler realizes the liability of
her position. In the book that follows Bodies that Matter , The Psychic Life
of Power (1997), Butler turns away from the relatively practical problems
of identity and identity politics to the realm of abstract theory. She con-
tinues to argue that we must reject any internal core of subjectivity. But she
also concedes, although only in passing, that some version of such a core
is necessary to psychic health. She argues that if children are to ‘persist in
a psychic and social sense there must be dependency and the foundation
of attachment: there is no possibility of not loving, where love is bound up
with the requirements for life’ (1997: 8). Further, in a discussion of the
possibility of an ethical subject, Butler remarks that:
. . . we might reread ‘being’ as precisely the potentiality that remains unexhausted
by any particular interpellation. Such a failure of interpellation may well under-
mine the capacity of the subject to ‘be’ in a self-identical sense, but it may also
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