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Action and Adventure Cinema
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Action and Adventure Cinema
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Action has established itself as one of the leading genres of contemporary Hollywood
cinema, generating extensive critical debate in the process. This exciting collection
addresses action and adventure from the silent era to the present day, exploring
diverse questions of aesthetics, industry and ideology.
Contributors consider how action might best be defined, how it has developed
historically, and how it works formally. The critical reception and standing of action
and adventure cinema is considered in relation to questions of national culture,
violence and the ‘art’ of cinema.
Themes explored include genre and definitions; early action, sensation and melo-
drama; authorship; national and transnational action-adventure traditions; action
aesthetics; spectacle and narrative; stars and bodies; class; gender, and race and
ethnicity. Individual chapters discuss action cinema from early melodrama and
serials such as The Hazards of Helen through classic films of the 1960s including
Bullitt, The Wild Bunch and The Dirty Dozen up to contemporary blockbusters Die
Hard, Lara Croft: Tomb Raider and Crouching Tiger, Hidden Dragon. The book
considers the action genre outside Hollywood, in Greece, Italy and Japan, and also
views action and adventure cinema through the work of individual directors including
D.W. Griffith, Akira Kurosawa, Sam Peckinpah and Kathryn Bigelow.
Essays by: Richard Abel, Jennifer M. Bean, Mary Beltrán, Dimitris Eleftheriotis,
Martin Flanagan, Martin Fradley, Barry Keith Grant, Michael Hammond, Christine
Holmlund, Leon Hunt, Mark Jancovich, Susan Jeffords, Peter Krämer, Steve Neale,
Marc O’Day, Lydia Papadimitriou, Stephen Prince, Tico Romao, Ben Singer, Yvonne
Tasker, Linda Ruth Williams, Rachel Williams, Tony Williams, Aylish Wood.
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Yvonne Tasker teaches Film and Television Studies at the University of East Anglia,
UK. She is the author of Working Girls: Gender and Sexuality in Popular Cinema
(Routledge, 1998) and Spectacular Bodies: Gender, Genre and the Action Cinema
(Routledge, 1993).
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Action and Adventure
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Cinema
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Edited by
Yvonne Tasker
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First published 2004
by Routledge
2 Park Square, Milton Park, Abingdon, Oxon OX14 4RN
Simultaneously published in the USA and Canada
by Routledge
270 Madison Avenue, New York, NY 10016
Routledge is an imprint of the Taylor and Francis Group
This edition published in the Taylor & Francis e-Library, 2005.
“To purchase your own copy of this or any of Taylor & Francis or Routledge’s
collection of thousands of eBooks please go to www.eBookstore.tandf.co.uk.”
Selection and editorial material © 2004 Yvonne Tasker
Individual chapters © individual contributors
All rights reserved. No part of this book may be reprinted or reproduced or
utilised in any form or by any electronic, mechanical, or other means, now
known or hereafter invented, including photocopying and recording, or in
any information storage or retrieval system, without permission in writing
from the publishers.
British Library Cataloguing in Publication Data
A catalogue record for this book is available from the British Library
Library of Congress Cataloging in Publication Data
Action and adventure cinema/edited by Yvonne Tasker.
p. cm.
Includes bibliographical references.
1. Adventure films – History and criticsim. I. Tasker, Yvonne, 1964–
PN1995.9.A3A28 2004
791.43′655 – dc22
2004001612
ISBN 0-203-64515-4 Master e-book ISBN
ISBN 0-203-67261-5 (Adobe eReader Format)
ISBN 0–415–23506–5 (hbk)
ISBN 0–415–23507–3 (pbk)
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