Symbolism of Animals and Birds Represented in English Church Architecture by Arthur H Collins MA (1913).pdf

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SYMBOLISM
OF
ANIMALS AND BIRDS
REPRESENTED IN ENGLISH
CHURCH ARCHITECTURE
BY
ARTHUR H. COLLINS, M.A.
NEW YORK
McBRIDE, NAST & COMPANY
1913
Introduction to the Digital Edition
This text was prepared for digital publication by David Badke in
July, 2003. It was scanned from the original text on an Epson
Perfection 3200 Photo scanner and converted with OmniPage
Pro 12. The photographic images were also scanned with the
Epson scanner via the Hamrick Software VueScan program, and
enhanced in Adobe PhotoShop 7.
Copyright : The original printed text by Arthur H. Collins as
published by McBride, Nast & Company of New York in 1913 is
believed to be in the public domain under Canadian copyright
law. It is also believed to be in the public domain under the
copyright law of the United Kingdom and the United States of
America. If you believe that you have a legal claim on the
original text, contact the editor of the digital edition at
copyright@bestiary.ca with details of your claim. This digital
edition is copyright 2003 by David Badke. Permission is hereby
granted for any noncommercial use, provided that this copyright
notice is included on all copies; for commercial use, please
contact the editor at the above email address.
Disclaimer : While every effort has been made to produce a
digital edition that is accurate and equivalent in content to the
original printed edition, the editor is not legally responsible for
any errors or omissions. As with any information, use this
edition with appropriate scholarly caution. If you discover errors
in the text, please contact the editor at editor@bestiary.ca with
details, so corrections can be made.
Formatting : The digital edition differs from the original printed
text in layout, typeface and pagination, though all text has been
included as printed; no editing has been done and all original
spelling has been retained. The page numbers shown in this
edition do not match the page numbering of the original printed
edition; the Table of Contents has been modified to use the
digital edition pagination. The index found in the printed edition
has been omitted as it is not required (the text can be searched).
The orginal page numbers have been imbedded in the text like
this to allow references to the print edition to be located; the
number indicates the start of the print edition page.
Photographic Plates : In the printed edition, the plates were
located on separate pages alternating with the text, but were
123
 
only rarely near the text (if any) that referred to them. In this
digital edition, all of the photographs appear in their own
section at the end. The original text does not specifically refer to
the photographs by number; this edition does, where such
references can be identified. The references appear like this .
The reference is a hyperlink; click on it to jump to the
referenced photograph (use the ÑbackÒ button to return).
1a
The photographic images are presented in a slightly larger size
than in the original, and the notes below them have been copied
from the Table of Photographs. The images have been digitally
enhanced to bring out what details were available. Because of
the limitations of the photographic and printing technology
available in 1913, the quality of the printed images is poor, a
problem digital enhancement cannot entirely correct. All images
in the printed edition are included here, and none of the images
have been cropped or had their content altered.
Note: If this copy of the digital edition does not have the
photographs, it is probably the Ñtext onlyÒ version. The full
edition, with the photographs, can be found at:
 
CONTENTS
II. The Ape, Ass, Beaver, Bear, Boar, Camel,
Dog, Elephant .............................................................6
XI. The Griffin, Hydra And Crocodile, Mantichora,
Mermaid Or Syren .....................................................45
XII. The Sphinx, Terrebolen, Unicorn, Serra,
Remora And PhÎnix..................................................48
LIST OF BOOKS LARGELY CONSULTED
1. Christian Symbolism in Great Britain and Ireland.
By J. Romilly Allen.
2. Animal Symbolism in Ecclesiastical Architecture.
By E. P. Evans. (Heineman.)
3. Norman Tympana and Lintels. By C. E. Keyser. (Stock.)
4. Sacred and Legendary Art. By Mrs. Jameson. (Longman.)
5. Black Tournai Fonts in England. By C. H. Eden.
6. Fonts and Font Covers. By Francis Bond. (Oxford.)
7. Calendar of the Prayer Book. By James Parker.
8. Encyclopaedia, Britannica. XIth Edn. Article on
ÑPhysiologus.Ò
9. Early Drawings and Illuminations in British Museum.
By W. de Gray Birch and Henry Jenner.
10. Dictionary of Architecture, article on ÑAnimals.Ò
By W. J. and G. A. Audsley.
11. Treasury Magazine, June and July, 1911, articles on
ÑNatural History in the Psalms.Ò By Canon Horsley.
12. Guide to Early Christian and Byzantine Antiquities in the
British Museum.
13. Epistles of S. John. Essay on the Relation of Christianity to
Art. By Bp. Westcott.

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