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NightRising
Strona 1 z 212
cover
NIGHTRISING
VAMPIRE BABYLON
BOOKONE
Chris Marie Green
NIGHTRISING
VAMPIRE BABYLON
BOOKONE
Chris Marie Green
ACE BOOKS, NEW YORK
THE BERKLEY PUBLISHING GROUP
Published by the Penguin Group
Penguin Group (USA) Inc.
375 Hudson Street, New York, New York 10014, USA
Penguin Group (Canada), 90 Eglinton Avenue East, Suite 700, Toronto, Ontario M4P 2Y3, Canada
(a division of Pearson Penguin Canada Inc.)
Penguin Books Ltd., 80 Strand, London WC2R 0RL, England
Penguin Group Ireland, 25 St. Stephen’s Green, Dublin 2, Ireland (a division of Penguin Books Ltd.)
Penguin Group (Australia), 250 Camberwell Road, Camberwell, Victoria 3124, Australia (a division
of Pearson Australia Group Pty. Ltd.)
Penguin Books India Pvt. Ltd., 11 Community Centre, Panchsheel Park, New Delhi—110 017, India
Penguin Group (NZ), 67 Apollo Drive, Mairangi Bay, Auckland 1310, New Zealand (a division of
Pearson New Zealand Ltd.)
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Penguin Books (South Africa) (Pty.) Ltd., 24 Sturdee Avenue, Rosebank, Johannesburg 2196, South
Africa
Penguin Books Ltd., Registered Offices: 80 Strand, London WC2R 0RL, England
This is an original publication of The Berkley Publishing Group.
This is a work of fiction. Names, characters, places, and incidents either are the product of the
author’s imagination or are used fictitiously, and any resemblance to actual persons, living or dead,
business establishments, events, or locales is entirely coincidental. The publisher does not have any
control over and does not assume any responsibility for author or third-party websites or their
content.
Copyright © 2007 by Chris Marie Green.
Cover art and design by Larry Rostant.
All rights reserved.
No part of this book may be reproduced, scanned, or distributed in any printed or electronic form
without permission. Please do not participate in or encourage piracy of copyrighted materials in
violation of the author’s rights. Purchase only authorized editions.
ACE is an imprint of The Berkley Publishing Group.
ACE and the “A” design are trademarks belonging to Penguin Group (USA) Inc.
Library of Congress Cataloging-in-Publication Data
Green, Crystal.
Night rising / Chris Marie Green.—1st ed.
p. cm.—(Vampire Babylon; bk. 1)
ISBN: 1-4295-3358-7
1. Women stunt performers—Fiction. 2. Fathers and daughters—Fiction. 3. Hollywood (Los
Angeles, Calif.)—Fiction. 4. Vampires—Fiction. I. Title.
PS3607.R4326N54 2007
813'.6—dc22 2006027964
To Mom and Dad,
who show me the light every day
CONTENTS
ONE
Rising
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TWO
Above
THREE
THE VOICE
FOUR
The Lost Little Boy
FIVE
THE DAMNED
SIX
BELOW, PHASE ONE
SEVEN
THE GHOST OF THE PAST
EIGHT
THE OTHER PI
NINE
THE HUNGER
TEN
THE LESSON
ELEVEN
THE INFORMANT
TWELVE
BELOW, PHASE TWO
THIRTEEN
THE GATHERING
FOURTEEN
THE HAUNTED HOUSE
FIFTEEN
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THE STANDOFF
SIXTEEN
BELOW, PHASE THREE
SEVENTEEN
THE BODY
EIGHTEEN
THE BAIT
NINETEEN
THE MIRROR
TWENTY
BELOW, PHASE FOUR
TWENTY-ONE
THE HEALING
TWENTY-TWO
THE PAIN
TWENTY-THREE
THE CHILD WITHOUT
TWENTY-FOUR
THE VISIT
TWENTY-FIVE
ANOTHER RISING
TWENTY-SIX
THE REUNION
TWENTY-SEVEN
NEW MOON
TWENTY-EIGHT
THE RECOVERY
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I would like to acknowledge Sheree Whitefeather and Judy Duarte, two critique partners who keep
their eyes wide open; Wally Lind and the crimescenewriter web loop for all their guidance (I’d like
to add that all errors are my own.); Pamela Harty and Deidre Knight, who put such faith into me and
my books; and Ginjer Buchanan, the one whose support allows the Underground to exist. Thank you,
everyone, for everything you do.
ONE
RISING
A red mist hung over Los Angeles at midnight, a mist so thick that it blocked the moon’s glow.
One so dense it almost hid what would become another shocking Tinseltown legend by the time
morning rolled around.
The damp air had been tinted with the crimson neon of a dingy alley’s bar sign: Lenny’s, it read in
cursive beneath the tilt of a cartoon martini. As the wiring flickered on and off, so did the
atmosphere, an apathetic heartbeat on the fringes of Hollywood Boulevard.
A police radio from one of the many black-and-whites blocking the entrances to the alley broke the
silence with a burst of static, then buzzed to nothing. A hushed crowd was gathering on the slick
pavement nearby, people craning their necks to gape through the fog and into the slender
passageway. And even though the cops were doing their damnedest to contain the scene, they
couldn’t cover up the accident.
At least, that’s what they’d called it at first.
An “accident.”
From the looks of the Aston Martin, it was a fair assessment. The sleek machine was nothing more
than wheezing, twisted steel embracing an electrical pole, an abstract sculpture you might find in the
victim’s own Malibu mansion. But that’s where the “accident” ended and the horror began.
Nothing made sense anymore after the cops looked past the car and toward the dead man.
The world’s biggest action star had his back to the bar’s door, his muscled arms spread wide, his
hands pierced by shrapnel, pinning him down. His head, with that glorious fall of golden hair, hung
to one side, a wedge of sparkling, jagged window glass embedded in his forehead. His million-dollar
blue eyes were closed, his aging yet still bankable face bathed in red. He’d died just moments ago,
unable to speak around the blood that was choking him.
Sure, freak accidents sometimes happened. Bodies flew from crashed cars, metal followed, people
died.
But what the beat cops couldn’t figure out was the rest of it: the way the victim’s shirt had been torn
open to reveal the bare chest so many women had swooned over.
The way shattered glass had cut into his skin, forming one word.
REPENT.
Soon, the detectives arrived. Overworked, underpaid, their clothing rumpled by long hours on the job
and a lack of giving a shit about appearances. A detective, one who haunted the perimeter, took a
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