Mój ukochany wróg. Mein liebster Feind.txt

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00:00:06:First...
00:00:08:...cast the beam out|of thine own eye...
00:00:12:...and then the mote from mine.
00:00:31:- Jesus takes off his shirt...|- And lets others speak.
00:00:36:...he kneels before the first one...
00:00:43:...washing his dusty feet|with his shirt.
00:00:59:I am not the Jesus of|the official Church...
00:01:07:...who the police, bankers...
00:01:10:...judges, hangmen, officers,|church bosses, politicians...
00:01:15:...and other powerful|people tolerate.
00:01:20:I am not your Superstar.
00:01:27:Shut the fuck up!
00:01:31:Come up here, bigmouth.
00:01:38:I'm not a great speaker...
00:01:41:...but maybe some of you seek|Christ. But I don't think this is Him.
00:01:47:Because Christ was tolerant...
00:01:52:...and if someone contradicted Him,|He would not tell them to shut up.
00:01:59:No, He didn't say shut up.
00:02:02:He took a whip...
00:02:04:...and smacked their ugly faces!
00:02:07:That's what He did...
00:02:10:...you stupid pig!
00:02:12:And if only one of you wants...
00:02:17:...to hear me...
00:02:20:...he has to wait...
00:02:22:...until this fucking scum has left.
00:02:41:If I may quote.
00:02:44:"Thou shalt recognise them by|their works." That's what counts.
00:03:13:Munich, 3 Elisabeth Street
00:03:29:How do you do, Mr. Herzog?
00:03:32:Herr von der Recke, I hope you|are prepared for this invasion.
00:03:37:Yes, we are.
00:03:39:You do know, that this apartment|has a very special meaning for me.
00:03:44:As a thirteen-year-old|schoolboy, I used to live here...
00:03:47:...with my mother and|my two brothers.
00:03:51:This was a small, rather shabby|boarding house...
00:03:53:-...now restored of course.|- That was in the Fifties?
00:03:57:I was just thirteen.
00:04:00:The odd thing was that I lived here|with Klaus Kinski for 3 months.
00:04:06:Oh, really?
00:04:07:It was a chain of coincidences.
00:04:10:The owner of the boarding house,|Klara Rieth, an elderly lady of 65...
00:04:14:...with wildly dyed orange hair, had|a soft spot for starving artists...
00:04:19:...as she herself had come|from a family of artists.
00:04:24:Kinski had been living nearby|in an attic, without furniture...
00:04:30:...just bare beams, and everything|covered knee-high with dead leaves.
00:04:34:He posed as a starving artist and|walked around stark-naked.
00:04:38:Stark-naked?
00:04:39:Yes, when the postman rang...
00:04:40:...Kinski rustled through his leaves,|stark-naked, and signed.
00:04:47:Where was that?
00:04:49:Somewhere nearby.
00:04:52:But he wore clothes|when he lived here, I hope?
00:04:54:Yes, but from the very first|moment, he terrorised everyone.
00:04:57:There were 8 parties living here.|He locked himself into the bathroom...
00:05:02:The bath over there...
00:05:04:- Wasn't there a door there?|- Yes, it led to the bathroom.
00:05:08:- May we?|- Yes, go ahead.
00:05:14:This room, to the left, was bigger.
00:05:18:Yes, we enlarged the bathroom.
00:05:21:That's where we used to live,|my mother and the three boys.
00:05:24:The four of us in just|one single room.
00:05:27:There were bunks. We were rather|poor, and my mother tried somehow...
00:05:32:...to take part in the economic|miracle but got left behind.
00:05:38:This bath was smaller because|our room reached up to here.
00:05:44:Kinski had locked himself in this|bathroom for 2 days and 2 nights.
00:05:51:For forty-eight hours.
00:05:54:In his maniacal fury, he smashed|everything to smithereens.
00:05:59:The bathtub, the toilet bowl -|everything.
00:06:02:You could sift it through a tennis|racket. It was really incredible.
00:06:08:I never thought it possible that|someone could rave for 48 hours.
00:06:14:They called the police in the end,|but they left him in peace.
00:06:21:He was put up there,|in a tiny staff room.
00:06:27:- May l?|- Please, go ahead.
00:06:30:It was completely different, then,|there was a long corridor...
00:06:34:...and here there were one,|two, three small rooms.
00:06:38:Yes.
00:06:40:And here must have been|a wall and an entrance.
00:06:44:The corridor went along here.
00:06:48:And this here was Kinski's room.
00:06:51:There was only room for|a bed and a small night table.
00:06:55:And that was his window|looking onto the backyard.
00:06:58:One day, Kinski took a huge|running start down the corridor...
00:07:04:...while we were eating. I heard|a strange noise and then...
00:07:08:...in an explosion the door came off|its hinges crashing into the room.
00:07:15:He must have jumped against it at|full speed, and now he stood there...
00:07:21:...flailing wildly, completely|hysterical, snow-white in the face.
00:07:26:He was foaming at the mouth,|and he moved like this...
00:07:30:Something came floating down|like leaves -they were his shirts...
00:07:33:...his screams were incredibly shrill.
00:07:36:He could actually break|wine glasses with his voice.
00:07:39:And three octaves too high he|screamed, 'Klara! You pig!'
00:07:46:The thing was, she hadn't ironed|his shirt collars neatly enough.
00:07:50:Klara had him living here for free,|fed him and did his laundry.
00:07:56:One day a theatre critic had|been invited for dinner.
00:08:02:He hinted that having watched a|play in which Kinski had a small roll...
00:08:08:...he would mention him as|outstanding and extraordinary.
00:08:12:At once, Kinski threw 2 hot potatoes|and the cutlery into his face.
00:08:18:He jumped up and screamed:
00:08:20:"l was not excellent!
00:08:23:I was not extraordinary!
00:08:27:I was monumental!
00:08:30:I was epochal!"
00:08:33:All this made a very deep|impression on me then...
00:08:37:...and that I would work with him|later and make five feature films...
00:08:41:You would never|have thought that.
00:08:44:No, that was never on|my horizon at the time.
00:08:47:It was beyond my|furthest thoughts.
00:08:51:Did he ever have any training as|an actor while he was here?
00:08:56:He was self-taught.
00:08:59:At times you could hear him in|his closet, for ten hours non-stop...
00:09:04:...doing his voice and|speaking-exercises.
00:09:08:It was absolutely incredible.
00:09:10:He pretended to be a genius who|had fallen straight from heaven...
00:09:16:...and who had obtained his|gift by the grace of God.
00:09:20:In reality, it was incredible, how|much he trained himself.
00:09:25:At that time, during his poetry|recitals, he still had this artificial...
00:09:30:...theatre intonation of the Fifties,|a kind of a snorting snarl.
00:09:36:He mastered it to perfection.
00:09:42:And this is where I lived with him...
00:09:44:...and so knew what to expect,|if I was to work with him.
00:09:49:...salt-peter, blazing|phosphorous...
00:09:54:...in the urine of a|donkey in heat...
00:09:58:...in snakes' poison,|old hags' spittle...
00:10:03:...in dog shit and|foul bath-water...
00:10:08:...in wolf's milk, gall of oxen|and flooded latrines,
00:10:14:In this juice...
00:10:18:...thou shalt stew|the slanderers,
00:10:23:In a tomcat's brain|who ceased to fish...
00:10:27:...in the foam that dribbles|from the teeth of rabid dogs...
00:10:31:...mixed with monkey's piss,|in bristles from a hedgehog torn...
00:10:35:...in a rain barrel,|where vermin crawl...
00:10:38:...perished rats and the|festering slime of...
00:10:42:...toad-stools, glowing at night...
00:10:46:...in horses' snot and in hot glue,
00:10:50:In this juice...
00:10:54:...shall the slanderers stew,
00:11:02:Peru, the train tracks along|the Urubamba river...
00:11:06:... Kinski's and my river of|destiny so to speak.
00:11:10:I wanted to retrace|some of our steps.
00:11:14:The first film we did together|was "Aguirre, the Wrath of God"...
00:11:18:...which started here.
00:11:20:It was my sixth film and I|was 28 at the time.
00:11:24:I had sent Kinski my screenplay.
00:11:27:Two nights later, at 3am, I was|awakened by the phone.
00:11:32:At first I couldn't figure|out what was going on.
00:11:34:All I heard were inarticulate screams|at the other end of the line.
00:11:39:It was Kinski.
00:11:42:After about half an hour, I could|filter out from his screams...
00:11:46:...that he was ecstatic about the|screenplay and wanted to be Aguirre.
00:11:55:The shooting of "Aguirre" was|faced with two pressing problems.
00:12:00:One was the budget.
00:12:02:Aguirre,|THE WRATH OF GOD
00:12:03:Today, it is inconceivable that we|made the film with only $370,000.
00:12:13:No one was interested|in financing it, and what's more...
00:12:17:...Later, no one even wanted to|see the film for years.
00:12:23:Kinski was the next problem.
00:12:27:At the time, he had just cut|short a Jesus tour.
00:12:34:He had appeared in huge arenas,|in the Deutschland Halle in Berlin...
00:12:39:...and the audience merely|wanted to watch him rave.
00:12:43:He was laughed at, had terrible|fits and raved and screamed...
00:12:50:...and arrived here at our location as|a derided, misunderstood Jesus.
00:12:57:He had wholly identified with his|role and continued to live on in it.
00:13:01:Often, it was difficult to talk to him,|because he answered like Jesus.
00:13:06:In his earlier phase you could|watch him in similar self-stylisations.
00:13:11:As Fran?ois Villon,|the poor, vagrant poet.
00:13:16:Then as Dostoyevsky's idiot,|and later in his life, as Paganini.
00:13:24:What is more, he had been|fascinated by the screenplay...
00:13:31:...which had a different beginning|from the finished film.
00:13:37:In the script, there was a scene on|a glacier at an altitude of 17,000 ft.
00:13:44:A huge procession of altitude sick|pigs advances towards you.
00:13:49:Only later would you realize that|this was part of a Spanish army...
00:13:55:...of adventurers, accompanied|by 800 or a 1000 Indian auxiliaries.
00:14:04:All th...
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