Ballroom.dancing.for.beginners.-.Part.1.-.Standard.(ShareDance).pdf

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VOLUME: 1
International Style Standard [Modern] Ballroom Dancing
WALTZ- QUICKSTEP-TANGO- FOXTROT-VIENNESE WALTZ
Technical descriptions of popular introductory figures, WITH FOOT DIAGRAMS
This book will not teach you how to dance. This book is intended to serve
as a reference in a Ballroom Dance instructional series. If only Waltz,
Quickstep,and Tango are taught 80% of the figures in this manual can be
learned in a 12 week series of 1 hour group courses, assuming 2 additional
hours of assisted practice is available each week.
Such a training routine is recommended for competitive collegiate
ballroom dance teams in their first semester of Ballroom training.
Dancers Notes
Kevin Buell
Revision
August 18 2001
2001
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Introduction
Generally, this book was written to serve as an introductory reference manual for a
beginner student of ballroom dancing. More specifically, this book is written to be used
as the guidebook for collegiate ballroom dance teams training first semester students.
It is my hope that by providing quality Ballroom Dancing guides to collegiate ballroom
dance teams that these teams may grow and further promote the development of ballroom
dance on college campuses.
In future volumes I will release similar guides for American Smooth Ballroom
Dancing, as well as more advanced texts which will eventually include silver level
syllabus.
On Foot Diagrams: While many other fine ballroom dance guides are commercially
available, one feature which almost all these guides lack is the inclusion of diagrams
indicating the placements of the fee. By including foot diagrams, it is hoped that the less
experienced students who do not understand the tabular figure information will find this
guide most helpful. Foot diagrams are placed on a grid where each square represents a
2’x2’ distance. The mens feet represent a length of 12 inches, and the ladies feet are
slightly smaller.
2
International Standard
Abbreviations Used in this Text
Rhythm
S=Slow, 2 beats of music.
Q=Quick, 1 beat of music
Alignment
LOD= Line of Dance
DC= Diagonal Center
DW=Diagonal Wall
P= (foot) Pointing
A-LOD= Against LOD
RISE & FALL
Com= Commence
E/O= (at) end of
Cont= Continue
NFR= No-foot rise (Body
Rise with heel on the
ground)
R= Rise
L= Lower
Foot Position
RF= Right Foot
LF= Left Foot
SLT=slight(ly)
TTI= Toe Turned In
TTO= Toe Turned Out
Foot-Work
T=Toe
H=Heel
B=Ball of foot
HT= Heel, then Toe
TH= Toe, then Heel
F= foot (flat foot)
LF= Left Foot
RF= Right Foot
W= whole (foot)
IE= Inside Edge
Other
PP= Promenade Position
CP= Closed Position
OP= Outside Partner
PO= Partner Outside
Body Position
SLT=slight
CBM=Contra-Body Motion
CBMP= Contra-Body
Motion Position
R=Right
L=Left
Turn
Com= Commence
E/O= (at) end of
Cont= Continue
R=Right
L=Left
BTL= Body Turns Less
BCT= Body Completes
Turn
Bet= Between
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Waltz
Style: International (English) Style
Category: Modern/Standard Ballroom
Rhythm: 3/4 time (Accent on the 1)
Tempo: 30 Bars per minute (Competition)
29-34 Bars per minute (Social)
Phrasing: 8BarPhrasing
When people hear the phrase 'Ballroom Dance' they invariably think
of the Waltz.
Waltz is THE fundamental Ballroom dance. Originating hundreds of
years ago in Bavarian Europe, the original waltz had a much faster tempo
and was more similar to our modern 'Viennese Waltz'. The dance
experienced significant opposition when it was popularized across Europe.
The idea of a man holding a woman hip to hip and cavorting about seemed
somehow improper.
This modern 'Slow Waltz' is derived from an American version of the
Waltz called 'The Boston' which was characterized by the slow tempo, long
flowing steps, and the closed position which made our slow waltz what it is
today.
A strong foundation in Waltz is the basis of understanding
International Standard and American Smooth dances. Most figures in other
dances such as foxtrot are merely steps from Waltz danced to a different
Rhythm.
What distinguishes Waltz as Waltz then is the character, which has
been described as 'being in love- forever'.
4
International Standard
WALTZ
Table Of Contents
Bronze Syllabus
RF Closed change ........................................................................................................................................... 6
LF Closed change ........................................................................................................................................... 8
Reverse Turn ................................................................................................................................................ 10
Natural Turn ................................................................................................................................................. 12
Whisk............................................................................................................................................................ 14
Chasse from Promenade Position ................................................................................................................. 16
Natural Spin Turn ......................................................................................................................................... 18
Closed Impetus ............................................................................................................................................. 20
Hesitation Change......................................................................................................................................... 22
Useful Amalgamations
[1] Facing DW:
Natural Turn
RF Closed Change
Reverse Turn
LF Close Change
[4]
Natural Spin Turn
4-6 of Reverse Turn
(Underturned to face DC)
[5]
Hesitation Change
Reverse Turn
[2] Facing DW:
Whisk
Chasse
Natural Turn (Outside Partner on 1)
[6]
1-3 of Natural Turn
Closed Impetus
4-6 of Reverse Turn
(Underturned to face DC)
Reverse Turn
[3] Facing DW at corner:
Natural Turn
Whisk
Chasse
Natural Turn (Outside Partner on 1)
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