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Episode #2.014 (21)
TWIN PEAKS #21
(Episode 2.014)
by
Scott Frost
Scanned by runningdog.
Original formatting duplicated as closely as possible. For clarification all
duplicate pages removed. Special note: this is a faithful duplication that
includes the original spelling, formatting and series related errors.
FIRST DRAFT: November 5, 1990
SECOND DRAFT - General Distribution: November 14, 1990
REVISED: November 16, 1990 - BLUE
REVISED: November 26, 1990 - PINK
REVISED: November 27, 1990 - GREEN
REVISED: November 28, 1990 - YELLOW
Lynch/Frost Productions, Inc.
7700 Balboa Boulevard
Van Nuys, CA 91406
(818) 909-7900
Revised 11-28-90, YELLOW
2.014
1.
ACT ONE
FADE IN:
1. INT. SHERIFF TRUMAN'S OFFICE - NIGHT
Close on the fibers of a fabric tape. We slowly pull back revealing that it is the tape covering
the mouth of the DEAD MAN. A surgical gloved hand reaches into the frame and slowly
pulls the tape off the mouth, inside the mouth attached to the tape is a black chess piece - a
pawn. We pull back to DOC HAYWARD, AGENT COOPER.
Good Lord.
HAYWARD
Cooper reaches in, removes the chess piece and examines it: it's a match to the pieces on the
chess board set up on the table. HARRY enters the room.
TRUMAN
No one saw a thing. The blackout and fire drew
everyone out of the building.
COOPER
Andy, we'll need this dusted for prints ...
Cooper drops the chess piece in a bag and hands it to ANDY standing inside the door with his
eyes closed so he won't see the body and cry. He reaches out for the bag, misses it. Truman
puts it in Andy's hand. Andy turns to leave and walks into to the wall with a thud. Andy peeks,
adjusts his trajectory and makes it.
TRUMAN
How long has he been dead, Doc?
HAYWARD
Hard to tell; we'll need an autopsy.
COOPER
Doc, open the victim's shirt. I believe you will find an
incision, a stab wound one inch beneath the sternum,
penetrating upwards, severing the aorta.
Hayward and Truman exchange a look then Doc opens the shirt. Cooper was right.
TRUMAN
You've seen this before.
COOPER
(nods, examines the floor)
No blood stains.
(CONTINUED)
1. CONTINUED:
2.014 Revised 11-28-90, YELLOW
2.
Cooper picks a pine needle up off the floor. Then walks to the middle windowsill, examines
with magnifier. HAWK comes in the door.
COOPER
Hawk, footprints?
HAWK
Two sets, same boots; one coming, one leaving. Heavier
impressions on the way down.
COOPER
Carrying the body.
TRUMAN
We should get molds made of those before it rains.
COOPER
He'll have been wearing the wrong size shoe, untraceable
and already destroyed.
HAWK
I followed them to the granite stream up the ridge, lost
them on the rocks.
COOPER
He knows how to mask a trail ... any cars stolen in town
recently?
TRUMAN
There was one a couple of days ago, from the Cash and
Carry on Sparkwood. No witnesses. Cooper, you're
sure Windom Earle's behind this?
Cooper nods, steps to the window, looks into the darkness.
COOPER
A short time ago, a vagrant ... our victim was befriended
and offered a lift. He was given some cheap wine and a
cigarette. The victim was then driven to a location up
behind the ridge, you'll find the car still up there. He
was stabbed, once, managed to run at least fifty yards,
cutting his hands and face on brush before collapsing.
Earle engineered the explosion that caused the power
failure, created the diversionary fire that drew everyone
outside the station, then brought the body in through this
window.
(turns, Faces them)
Windom Earle has been in this room. I can still feel his
presence. There aren't going to be any fingerprints in
(more)
(CONTINUED)
1. CONTINUED:(2)
2.014 Revised 11-27-90, GREEN
3.
COOPER (continued)
here, Harry. No slip-ups, oversights, no mistakes.
Everything he does has its own rationale, precision and
intelligence. Windom Earle is a genius. And he's taken
his first pawn. In a very sick game.
CUT TO:
2. EXT. GREAT NORTHERN - NIGHT
Establish.
3. INT. GREAT NORTHERN LOBBY - NIGHT
AUDREY and BOBBY sit at a small round table. The power is out. Candlelight illuminates
the scene. They have drinks between them. Plus a bucket of ice. Audrey drops a few cubes
into Bobby's glass and a few into hers.
AUDREY
Listen carefully, Bobby Briggs, here's what we're gonna
do. If I have learned anything from my father before he
flipped his wig it's that a business relationship is a
sacred pact, equaled only by the closest of personal
relationships ... where nothing is held back.
Right.
BOBBY
AUDREY
Do you want to get rich, Bobby?
Immediately.
BOBBY
AUDREY
Maybe I can help. This is the last of the ice cubes till the
power comes back on.
She reaches over and picks an ice cube out of Bobby's drink.
AUDREY
Now, pretend this is my father.
She closes her hand around it.
An ice cube?
BOBBY
(CONTINUED)
2.014 Revised 11-27-90, GREEN
4.
3. CONTINUED:
AUDREY
Right. And our job now is to help my father find his
way back from Limbo-Land so he doesn't melt away and
leave me with a handful of nothing.
She reopens her hand, the cube is melted.
AUDREY
We wouldn't want that to happen, would we?
No.
BOBBY
AUDREY
From now on Bobby I'm the one you suck up to.
She licks up the melted water.
BOBBY
(a moment of conscience)
What about Shelly?
AUDREY
What about Shelly?
Bobby's eyes grow stalks. He finishes his drink.
CUT TO:
4. EXT. LEO JOHNSON'S HOUSE - NIGHT
Establish, not a light on.
CUT TO:
5. INT. LEO JOHNSON'S HOUSE - NIGHT
POV, moving frantically through the darkened kitchen into the living room and to the door.
We pull back, SHELLY desperately tries to open the door but it's been locked from the out
side.
No!
SHELLY
(screaming)
She looks back into the kitchen, it's pitch black, she can't see a thing.
(CONTINUED)

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