American Cinematographer 2010-06.pdf
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AMC0610_pCV1_R_00-00_COVER
AMERICAN CINEMATOGRAPHER JUNE 2010 ROBIN HOOD – PRINCE OF PERSIA – MICMACS – THE WHITE STRIPES UNDER GREAT WHITE NORTHERN LIGHTS VOL. 91 NO. 6
AMERICAN CINEMATOGRAPHER JUNE 2010 ROBIN HOOD – PRINCE OF PERSIA – MICMACS – THE WHITE STRIPES UNDER GREAT WHITE NORTHERN LIGHTS VOL. 91 NO. 6
See and be seen.
Introducing Sony’s VideON
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anyone else using Sony pro gear, you should be a part of this site. See and share great
work, learn new techniques and connect with others in the Sony professional community.
Be inspired, inspire others… believe that anything you imagine, you can make real.
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click:
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© 2010 Sony Electronics Inc. All rights reserved. Reproduction in whole or in part without written permission is prohibited. Features and speci cations are subject to change without notice.
Sony, “make.believe” and their respective logos, and VideON are trademarks of Sony.
“On ‘The Office,’ our shots must
appear real – documentary style – as
if we are capturing the moment. That
real feel grounds the subject matter for
our audience. But ‘real’ implies an
imperfect look like blown-out windows.
And, when you’re working in HD,
‘blow out’ can look horrible. That’s
where Schneider HD Classic Softs
™
are
my go-to tool. They turn a blow out
into a nice bloom.
And because HD is so unforgiving,
I always use a quarter or a half HD
Classic Soft on our actors. This takes
the edge off the HD and gives them
a look that is both real and attractive
at the same time.
I use filters to help with things I
can’t control so I choose the matchless
quality of Schneider glass. Whether I’m
the Director or the Cinematographer,
Schneider filters make the
good things great and
the bad things better.”
Director and Cinematographer Randall Einhorn
is a two-time Emmy nominee for his work on
the series
Survivor
. He has shot and/or directed
over 113 episodes of
The Office
and directed
episodes of series including
Modern Family
,
It’s Always Sunny in Philadelphia
and
Pa r k s a n d
Recreation,
as well as numerous commercials
and documentaries.
B
+
W
•
Century
•
Schneider
www.schneideroptics.com
•
It Starts with the Glass
tm
J
UNE
2
0
1
0
VOL.
9
1
NO.
6
The International Journal of Motion Imaging
On Our Cover: Rabble-rousing archer Robin Longstride (Russell Crowe) leads an
uprising in
Robin Hood,
shot by John Mathieson, BSC. (Photo by David Appleby,
courtesy of Universal Studios.)
FEATURES
30
Slings and Arrows
John Mathieson, BSC sets up camp in Sherwood Forest on
Robin Hood
42
Desert Storm
John Seale, ASC, ACS faces epic undertaking with
Prince of Persia
52
Very French Revenge
Tetsuo Nagata, AFC leads crack team on
Micmacs
64
Painting Towns White
Giles Dunning captures rock tour for
The White Stripes
Under Great White Northern Lights
42
DEPARTMENTS
8
Editor’s Note
10
President’s Desk
12
Short Takes:
Land and Bread
18
Production Slate
:
Winter’s Bone
Harry Brown
72
Post Focus:
Frozen
78
Tricks of the Trade:
Red’s False Color
80
New Products & Services
92
International Marketplace
94
Classified Ads/Ad Index
96
ASC Membership Roster
98
Clubhouse News
100
ASC Close-Up:
John Schwartzman
52
64
— VISIT WWW.THEASC.COM TO ENJOY THESE WEB EXCLUSIVES —
DVD Playback:
The Natural
Rock ’n’ Roll High School/Suburbia
Bigger Than Life
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