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From natura naturata to natura naturans:
Naturphilosophie and the Concept of Peforming Nature
By
Sabine Wilke
In their introduction to a collection of essays in environmental philosophy, Bruce V.
Foltz and Robert Frodeman claim that it is time to rethink nature and that today’s
commonly accepted use of the scientific understanding of the environment as the basis
for environmental philosophy needs to be reexamined. Foltz and Frodeman wonder
whether or not it is wise to link philosophical reflection about nature to the findings of
the positive sciences whose results are notoriously subject to revision (see 4-5). Indeed,
the deference to the findings and paradigms of the natural sciences within
environmental circles is noteworthy and should be questioned critically. Most so-called
interdisciplinary approaches to environmental problems take a scientific and problem-
resolution framework. That may be satisfactory for narrowly conceived issues where
immediate resolutions are sought for pressing problems, but as soon as larger cultural
and historical concerns are addressed, a wider and deeper framework is needed such as
embodied in philosophical reflection. Foltz and Frodeman turn to Heidegger and his
claim that modern science is bound up with the modern project of the technological
domination of nature (see 5) and, for that reason alone, cannot be idealized as a neutral
model to guide our thinking of nature. According to Foltz and Frodeman,
phenomenological models (such as Heidegger’s ontology) provide a new and different
“metaphysics” of nature in terms of offering a mode of reflection on the being of nature
that shows itself and withholds itself (see 6). They could have easily turned to other
contemporary critics of modernity such as Max Horkheimer and Theodor W. Adorno
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who have also formulated a wide-scale critique of the process of enlightenment in the
context of its collapse in fascist Europe and contemporary science’s sell-out to models of
dominating nature. I don’t want to pursue either line of thinking in my essay but rather
work through some alternative philosophical models of rethinking nature that were
developed in response to Kant and that try to conceive of nature not solely in terms of
its object status—as it is commonly viewed in scientific inquiries, but highlight its
capacity for action and for a more subjective form of identity.
With Kant’s Copernican turn, knowledge, action, and judgment were squarely
placed within the constructive and synthetic faculty of the individual human intellect
and its pursuit of freedom. After Kant, modern philosophy can no longer reconcile
theoretical reason and rationality with an all-encompassing metaphysics. Moreover,
practical reason is devoid of direct contact with communal conceptions of life. In fact,
“modern thinking has relentlessly severed the making of aesthetic judgments from the
imitation ( mimesis ) or figural representation of the natural object, from the expression of
moral imperatives and the dictates of political engagement, as well as from
preestablished identities and fixed determinations of the self” (De Vries 1). Kant’s
influential analytic of the sublime in his third critique models this type of critical
thinking by placing the sublime not into natural objects (or by defining the sublime as a
property of natural objects) but as residing in our ideas. Kant claims that:
[. . .] one immediately sees that we express ourselves on the whole incorrectly if
we call some object of nature sublime, although we can quite correctly call very
many of them beautiful; [. . .] We can say no more than that the object serves for
the presentation of a sublimity that can be found in the mind; for what is
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properly sublime cannot be contained in any sensible form, but concerns only
ideas of reason [. . .]. (129)
Kant’s transcendental critique seals modern philosophy’s turn to a philosophy of
subject, which has prompted many environmental critics to shun the tradition of
German Idealism in their rethinking of the relationship between nature and the human
world. In a companion piece to this paper I have presented a thorough analysis of the
eco-critical positions that deal with nature and its presumed unproblematical existence
vis a vis the constructionist position (working through Kant and his modern critics such
as Theodor W. Adorno and Herbert Marcuse that present a dialectical model for
rethinking nature in more active terms). In essence, dialectical conceptions of nature
address both, the fact that nature “out there” really exists and the fact that it is always
perceived through history and culture. A dialectical notion of nature highlights the
historical, social, and cultural regimes that have produced what we call nature today
without losing sight of the fact that there is a real object beyond these constructions—
just not one we can ever hope to recover and that may not have existed in a primary
state. In this paper I would like to present some philosophical positions from within the
German tradition that have not had much currency in the English-speaking world. I am
thinking of the tradition of Naturphilosophie that understood itself as a needed
counterpart to Kant’s critique of reason and develops further the thinking of natural
objects outside of Kant’s paradigm of transcendentalism. I claim that within German
idealism there is a tradition of thinking about nature that embraces the idea of nature as
active, as a subject-object that should be remembered when raising the issue of
rethinking nature within a context of environmental philosophy. How this tradition
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could be made fruitful for today’s discussions will be one of the tasks of my
contribution.
Early on in the discussion of environmental perspectives on culture, Carolyn
Merchant made the claim, coming from an eco-feminist perspective, that the modern
world emerged on the basis of a repression of pre-modern knowledge of nature as
living organism:
In investigating the roots of our current environmental dilemma and its
connections to science, technology, and the economy, we must reexamine the
formation of a world view and a science that, by reconceptualizing reality as a
machine rather than a living organism, sanctioned the domination of both nature
and women. (xxi)
Merchant presents a detailed account of how, between 1500 and 1700 “the organic
conception of the cosmos gave way to a mechanistic model” (42), how this mechanistic
model was reinforced and how it accelerated the exploitation of nature (and women)
(43), how from then on nature was manipulated by machine technology (68), and how a
new mechanistic order mandated what she calls the “death of nature” (193):
The rise of mechanism laid the foundation for a new synthesis of the cosmos,
society, and the human being, constructed as ordered systems of mechanical
parts subject to governance by law and to the predictability through deductive
reasoning. A new concept of the self as a rational master of the passions housed
in a machinelike body began to replace the concept of the self as an integral part
of a close-knit harmony of organic parts united to the cosmos and society.
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Mechanism rendered nature effectively dead, inert, and manipulable from
without. (Merchant 214)
Merchant claims, however, that the organic view of nature did not disappear entirely
with the rise of mechanism, but that it was instead accommodated. She turns to the
Cambridge Platonists of the 1650s and 1660s who advocated a wise use of nature so that
its abundance would not be exhausted, a position that seems similar in many ways to
today’s managerial approach to ecology (see Merchant 252). This organismic
perspective has remained as “an important underlying tension, surfacing in such
variations as the Romantic reaction to the Enlightenment, American transcendentalism,
the ideas of the German Naturphilosophen, the early philosophy of Karl Marx, the
nineteenth century vitalists, and the work of Wilhelm Reich” (Merchant 288).
Others have pointed to a need of an environmental vision that imagines land as
agent and have emphasized the erotic component of the relation between humans and
the land. Gretchen Legler, for example, wishes to install nature with its own form of
desire and, correctly, points to the fact that Cartesian objectivity rests on reason
separated from the body (see 24). In that same vein, others have theorized a desire for
ecology, a desire for belonging to networks of the land that stems from a loss of unity
with the land (Campbell 135). How could we rethink nature and the environment as a
process rather than as a constant or a given (see Buell, The Environmental Imagination 8)
and how could we grant more agency to nature? Karla Armbruster and Kathleen R.
Wallace encourage us to identify alternative threads in the history of literary and
philosophical attitudes toward nature in the West, threads where nature is granted
more agency (see 9) and where the environment is conceived as an active subject, as an
epistemological category that organizes around itself otherwise unrelated disciplines
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