Understanding+Movies+9th+Edition.pdf

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In Memoriam
Lynn R.Jones
1939-1970
Take him and cut him out in little stars,
And he will make the face ofheav'n so fine
That all the world will be in love with Night
And pay no worship to the garish Sun.
—WILLIAM SHAKESPEARE
Co tttc wis
Preface
,xi
Acknowledgments
xii
Overview 2
Realism and Formalism
2
The Shots
II
The Angles
13
Light and Dark
18
Color 22
Lenses, Filters, Stocks, Opticals, and Gauges
28
The Cinematographer
36
Further Reading
42
2
yVlist* on Scene
43
Overview 44
The Frame 44
Composition and Design
56
Territorial Space 66
Proxemic Patterns 77
Open and Closed Forms
83
Further Reading
92
Contents
3
JW o v e »n e n t 93
Overview 94
Kinetics 95
The Moving Camera 112
Mechanical Distortions of Movement
123
Further Reading
132
4
editing
133
Overview 134
Continuity 134
D. W. Griffith and Classical Cutting 138
Soviet Montage and the Formalist Tradition 155
Andre Bazin and the Tradition of Realism 168
Hitchcock's North by Northwest: Storyboard Version
I8l
Further Reading
206
5
Sound
207
Overview 208
Historical Background
208
Sound Effects
215
Music 219
Musicals and Opera
226
Spoken Language
230
Further Reading
244
6
.Acting
245
Overview 246
Stage and Screen Acting
247
The American Star System
259
Styles of Acting
276
Casting 287
Further Reading
293

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