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A Concise Companion to
Twentieth-century
American Poetry
Edited by Stephen Fredman
iii
© 2005 by Blackwell Publishing Ltd
except for editorial material and organization © 2005 by Stephen Fredman
BLACKWELL PUBLISHING
350 Main Street, Malden, MA 02148-5020, USA
9600 Garsington Road, Oxford OX4 2DQ, UK
550 Swanston Street, Carlton, Victoria 3053, Australia
The right of Stephen Fredman to be identified as the Author of the Editorial
Material in this Work has been asserted in accordance with the UK Copyright,
Designs, and Patents Act 1988.
All rights reserved. No part of this publication may be reproduced, stored in
a retrieval system, or transmitted, in any form or by any means, electronic,
mechanical, photocopying, recording or otherwise, except as permitted by the
UK Copyright, Designs, and Patents Act 1988, without the prior permission
of the publisher.
First published 2005 by Blackwell Publishing Ltd
1 2005
Library of Congress Cataloging-in-Publication Data
A concise companion to twentieth-century American poetry / edited by Stephen
Fredman.
p. cm.—(Blackwell concise companions to literature and culture)
Includes bibliographical references and index.
ISBN-13: 978-1-4051-2002-9 (hardcover : alk. paper)
ISBN-13: 978-1-4051-2003-6 (pbk. : alk. paper)
ISBN-10: 1-4051-2002-9 (hardcover : alk. paper)
ISBN-10: 1-4051-2003-7 (pbk. : alk. paper)
1. American poetry—20th century—History and criticism—Handbooks, manuals,
etc. 2. United States—Intellectual life—20th century—Handbooks, manuals, etc.
I. Fredman, Stephen, 1948– II. Series.
PS323.5.C574 2005
811
.509—dc22
2004025183
A catalogue record for this title is available from the British Library.
Set in 10/12pt Meridien
by Graphicraft Limited, Hong Kong
Printed and bound by Replika Press, India
The publisher’s policy is to use permanent paper from mills that operate
a sustainable forestry policy, and which has been manufactured from pulp
processed using acid-free and elementary chlorine-free practices. Furthermore,
the publisher ensures that the text paper and cover board used have met
acceptable environmental accreditation standards.
For further information on
Blackwell Publishing, visit our website:
www.blackwellpublishing.com
′
iv
Contents
Notes on Contributors
viii
Acknowledgments
xi
Chronology
xii
Introduction
1
Stephen Fredman
1
Wars I Have Seen
11
Peter Nicholls
American poets’ response to war, with particular
attention to Ezra Pound, Gertrude Stein,
Allen Ginsberg, Robert Duncan, George Oppen,
Susan Howe, and Lyn Hejinian.
2
Pleasure at Home: How Twentieth-century
American Poets Read the British
33
David Herd
How US poets responded and reacted to British
poetry, in particular, Romanticism, focusing on
Robert Frost, Ezra Pound, T. S. Eliot, William
Carlos Williams, Wallace Stevens, Marianne
Moore, Cleanth Brooks, Charles Olson,
Frank O’Hara, and Adrienne Rich.
v
Contents
3
American Poet-teachers and the Academy
55
Alan Golding
Discusses the relationship between poets and the
academy, with attention to Ezra Pound, the Fugitives,
Charles Olson, the anthology wars, creative writing
programs, African-American poetry, Charles Bernstein,
and Language poetry.
4
Feminism and the Female Poet
75
Lynn Keller and Cristanne Miller
Twentieth-century poetry developed in the context of
evolving feminist thought and activism, as demonstrated
in the work of Marianne Moore, Gertrude Stein, H. D.,
Muriel Rukeyser, Gwendolyn Brooks, Sylvia Plath,
Adrienne Rich, Sonia Sanchez, and Harryette Mullen.
5
Queer Cities
95
Maria Damon
The relationship between gay urban sensibility and
poetic form, with discussions of Gertrude Stein, Djuna
Barnes, Hart Crane, Frank O’Hara, Robert Duncan,
Jack Spicer, and Allen Ginsberg.
6
Twentieth-century Poetry and the New York Art
World
113
Brian M. Reed
Poetic responses to New York’s avant-garde tradition
in the visual arts, with attention to Mina Loy, William
Carlos Williams, Frank O’Hara, John Cage, John
Ashbery, Jackson Mac Low, and Susan Howe.
7
The Blue Century: Brief Notes on
Twentieth-century African-American Poetry
135
Rowan Ricardo Phillips
Discusses the effect that the blues and jazz have had
on twentieth-century African-American poets, including
Paul Dunbar, Langston Hughes, Sterling Brown, Robert
Hayden, Gayl Jones, Yusef Komunyakaa, and Michael
Harper.
vi
Contents
8
Home and Away: US Poetries of Immigration and
Migrancy
151
A. Robert Lee
The ongoing arrival of populations from beyond
US borders and internal migration, as reflected in
poetry – WASP to African American, Jewish to
Latino/a, Euro-American to Native American.
9
Modern Poetry and Anticommunism
173
Alan Filreis
A survey of the complex association of modern poetry
and American communism (and anticommunism),
including discussions of Muriel Rukeyser, William
Carlos Williams, Genevieve Taggard, Wallace
Stevens, and Kenneth Fearing.
10
Mysticism: Neo-paganism, Buddhism, and Christianity
191
Stephen Fredman
Why mysticism appeals to American poets and how
it affects their poetry, focusing upon Ezra Pound, H. D.,
T. S. Eliot, Robert Duncan, Charles Olson, John Cage,
Gary Snyder, Allen Ginsberg, Denise Levertov, and
Fanny Howe.
11
Poets and Scientists
212
Peter Middleton
Shows how poets, including William Carlos Williams,
Hart Crane, Wallace Stevens, Robert Creeley, Charles
Olson, Ron Silliman, Myung Mi Kim, and Mei-mei
Berssenbrugge have responded to modern technology
and the new sciences of physics and genetics.
12
Philosophy and Theory in US Modern Poetry
231
Michael Davidson
Addresses the role of ideas and theory in modern
poetry, with examples drawn from Wallace Stevens,
Ezra Pound, T. S. Eliot, William Carlos Williams,
Gertrude Stein, the New Critics, and many others.
Index
252
vii
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