Minimoog V2 Manual.pdf
(
2182 KB
)
Pobierz
minimoogV2.0_EN
USERÓS MANUAL
MINIMOOG-V
Version 2.0
ARTURIA – Minimoog-V – User’s Manual
1
Programming:
Nicolas Bronnec
Pierre-Jean Camilieri
Sylvain Gubian
Xavier Oudin
Gilles Pommereuil
Cdric Rossy
Robert Bocquier (v2.0)
Vincent Travaglini (v2.0)
Graphics:
Yannick Bonnefoy (Beautifulscreen)
Thomas & Wolfgang Merkle (Bitplant)
Morgan Perrier (v2.0)
Manual:
Jean-Michel Blanchet
Houston Haynes
Tom Healy
Xavier Oudin
Gilles Pommereuil
David Poncet
Mitsuru Sakaue
Noritaka Ubukata (v2.0)
Antoine Back (v2.0)
Sound-designers:
Jean-Michel Blanchet (v1.0 & v2.0)
Clay Duncan
Celmar Engel
Mateo Lupo
Chris Pittman
Klaus Peter Rausch
Klaus Schulze
Scot Solida
Noritaka Ubukata
Katsunori Ujiie
Thomas Koot (v2.0)
Very special thanks to:
Robert A. Moog, Michael Adams, Houston Haynes
Thanks to:
Steve Dunnington, Randy Fuchs, Roger Luther (moogarchives.com), Franois
HaÖs, Mark Vail, and the numerous beta testers.
¨ ARTURIA S.A. Î 1999-2009 Î All rights reserved.
4, Chemin de Malacher
38240 Meylan
FRANCE
http://www.arturia.com
Information contained in this manual is subject to change without notice and does not represent a commitment
on the part of Arturia. The software described in this manual is provided under the terms of a license
agreement or non-disclosure agreement. The software license agreement specifies the terms and conditions for
its lawful use. No part of this manual may be produced or transmitted in any form or by any purpose other than
purchaserÓs personal use, without the express written permission of ARTURIA S.A.
moog§ and minimoog§ are registered trademarks in the UK to Alex Winter.
In all other countries Moog§ and Minimoog§ are registered trademarks of Moog Music Inc.
Other products, logos or company names quoted in this manual are trademarks or registered trademarks of
their respective owners.
2
ARTURIA – Minimoog-V – User’s Manual
TABLE OF CONTENTS
1
FROM THE FIRST MOOG SYNTHESIZERS UP TO TAE ......................................6
1.1
THE
GENESIS
OF
THE
MINIMOOG
SYNTHESIZER............................................. 6
1.2
A
BETTER
EMULATION
THANKS
TO
TAE
§
...................................................... 10
1.2.1
Aliasing-free oscillators:....................................................................... 10
1.2.2
Better reproduction of analog waveforms:.............................................. 10
1.2.3
Better reproduction of analog filters...................................................... 12
1.2.4
Implementation of the soft clipping....................................................... 13
2
INSTALLATION............................................................................................14
2.1
WINDOWS
INSTALLATION
(2000,
XP,
V
ISTA
)..................................................... 14
2.2
MAC
OS
X
INSTALLATION
............................................................................... 16
3
AUTHORIZATION ........................................................................................17
4
QUICK START..............................................................................................20
4.1
U
SING THE PRESETS
...................................................................................... 20
4.1.1
Modifying this preset........................................................................... 21
4.2
T
HE PLAYING MODES
..................................................................................... 22
4.3
O
VERVIEW OF THE
ÐC
LASSIC
Ñ
MODE
................................................................... 24
4.4
T
HE
ÐE
XTENDED
Ñ
MODE
.................................................................................. 25
4.4.1
The modulation matrix ........................................................................ 25
4.4.2
The LFO............................................................................................. 26
4.5
T
HE ARPEGGIATOR SECTION
............................................................................. 27
4.6
T
HE EFFECTS SECTION
................................................................................... 27
4.6.1
The chorus......................................................................................... 27
4.6.2
The delay........................................................................................... 28
4.7
T
HE REAL TIME CONTROLLERS AND
MIDI
ASSIGN
.................................................... 28
5
THE INTERFACE...........................................................................................30
5.1
U
SE OF PRESETS
.......................................................................................... 30
5.1.1
Choice of a bank, sub-bank, preset....................................................... 30
5.1.2
Creation of a bank, sub-bank, preset..................................................... 31
5.1.3
Saving a user preset ........................................................................... 32
5.1.4
Import/ Export of a bank of presets ...................................................... 32
5.2
T
HE SOUND MAP
.......................................................................................... 33
5.2.1
Opening the sound map....................................................................... 35
5.2.2
The sound map interfaces.................................................................... 36
5.2.2.1
The sound map main interface.......................................................................36
5.2.2.2
The Sound Map overview...............................................................................37
5.2.2.3
The instrument type filter window ..................................................................38
5.2.2.4
Preset snap shot memories............................................................................39
5.2.2.5
The ÐMorphingÑ interface...............................................................................39
5.2.2.6
The list preset manager ................................................................................41
5.3
U
SE OF CONTROLLERS
.................................................................................... 42
5.3.1
Potentiometers................................................................................... 42
5.3.2
Switches............................................................................................ 42
5.3.3
Pitch Bend wheel ................................................................................ 42
5.3.4
Virtual keyboard................................................................................. 43
5.3.5
MIDI control....................................................................................... 43
6
THE SYNTHESIZER ......................................................................................44
6.1
T
HE OSCILLATORS
........................................................................................ 45
6.2
T
HE MIXER
................................................................................................. 46
6.3
T
HE FILTER AND ITS ENVELOPE
.......................................................................... 47
6.4
T
HE OUTPUT VOLUME AND ITS ENVELOPE
.............................................................. 48
6.5
T
HE POLYPHONIC MODE
,
THE PLAYING MODES
........................................................ 49
6.6
T
HE PITCH BEND AND MODULATION WHEELS
.......................................................... 50
6.7
T
HE
M
OTION
R
ECORDER
................................................................................. 51
ARTURIA – Minimoog-V – User’s Manual
3
6.7.1
The Motion Recorder activation/deactivation ...........................................51
6.7.2
Playing recorded Motion curves .............................................................51
6.7.3
Recording a parameter motion curve in real time.....................................52
6.7.4
Erasing a recorded automation in real time.............................................52
6.7.5
Quantizing a motion curve....................................................................52
6.7.6
Setting the modulation amount of a motion curve....................................53
6.7.7
The parameters available for the Motion Recorder....................................53
6.7.8
Editing a motion curve..........................................................................54
6.7.8.1
The Edit tools .............................................................................................. 54
6.7.8.2
The Curve Editor screen................................................................................ 55
6.8
THE VOCAL FILTER
.........................................................................................55
6.9
T
HE LOW FREQUENCY GENERATOR
.......................................................................57
6.10
THE MODULATION MATRIX
................................................................................57
6.11
T
HE ARPEGGIATOR
.........................................................................................58
6.12
T
HE CHORUS AND STEREO DELAY
........................................................................59
7
THE BASICS OF SUBTRACTIVE SYNTHESIS .................................................60
7.1
T
HE THREE MAIN ELEMENTS
..............................................................................60
7.1.1
The oscillator, or VCO...........................................................................60
7.1.1.1
Triangle ...................................................................................................... 61
7.1.1.2
Sawtooth .................................................................................................... 61
7.1.1.3
Square........................................................................................................ 62
7.1.1.4
Pulse Width Modulation................................................................................. 62
7.1.1.5
Synchronization........................................................................................... 62
7.1.1.6
Frequency modulation .................................................................................. 63
7.1.2
The noise module ................................................................................63
7.1.3
The Mixer ...........................................................................................64
7.1.4
The filter or VCF ..................................................................................64
7.1.4.1
The cut-off frequency ................................................................................... 64
7.1.4.2
The resonance ............................................................................................. 65
7.1.5
The amplifier or VCA ............................................................................66
7.2
O
THER MODULES
...........................................................................................66
7.2.1
The keyboard......................................................................................66
7.2.2
The envelope generator........................................................................66
7.2.3
The low frequency oscillator..................................................................67
8
A FEW ELEMENTS IN SOUND DESIGN..........................................................69
8.1
S
UBTRACTIVE SYNTHESIS
.................................................................................69
8.1.1
A simple bass sound.............................................................................69
8.1.2
A 3 oscillators lead sound .....................................................................71
8.1.3
A polyphonic accompaniment................................................................72
8.2
T
HE MODULATION MATRIX
................................................................................73
8.2.1
Using the arpeggiator...........................................................................75
8.3
T
HE EFFECTS OF THE MINIMOOG
V ......................................................................76
8.3.1
The stereo chorus................................................................................76
8.3.2
The stereo delay..................................................................................77
9
MODES OF USE OF THE MINIMOOG-V..........................................................79
9.1
S
TANDALONE
...............................................................................................79
9.1.1
Launching the application .....................................................................79
9.1.2
Setting preferences..............................................................................79
9.1.3
Configuration of an instrument: the tool bar............................................80
9.1.3.1
Configuring MIDI routing............................................................................... 80
9.1.3.2
Configuration of the keyboard zone ................................................................ 80
9.1.3.3
Configuration of the octave ........................................................................... 80
9.1.3.4
Configuration of the audio input and output..................................................... 80
9.1.4
Information on rate of processor use......................................................80
9.1.5
Panic..................................................................................................81
9.1.6
Saving an instrument...........................................................................81
9.2
VST© ......................................................................................................81
9.2.1
Installation .........................................................................................81
4
ARTURIA – Minimoog-V – User’s Manual
9.2.1.1
For Windows................................................................................................81
9.2.1.2
For Mac OS X...............................................................................................81
9.2.2
Using the instrument in VST mode........................................................ 81
9.2.3
Connection to a MIDI track .................................................................. 82
9.2.4
Saving presets.................................................................................... 82
9.2.5
Automation........................................................................................ 82
9.3
P
RO
T
OOLS
© ............................................................................................. 83
9.3.1
Installation......................................................................................... 83
9.3.2
RTAS and HTDM standards................................................................... 83
9.3.3
Opening the instrument....................................................................... 83
9.3.4
Connection to a MIDI node................................................................... 84
9.3.5
Saving presets.................................................................................... 84
9.3.6
Automation in Pro Tools....................................................................... 84
9.4
D
IGITAL
P
ERFORMER
© .................................................................................. 85
9.4.1
Installation......................................................................................... 85
9.4.2
Opening the instrument....................................................................... 85
9.4.3
Connection to a MIDI node................................................................... 85
9.4.4
Saving presets.................................................................................... 85
9.4.5
Automation........................................................................................ 86
ARTURIA – Minimoog-V – User’s Manual
5
Plik z chomika:
fanrz
Inne pliki z tego folderu:
Minimoog V2 Manual.pdf
(2182 KB)
Inne foldery tego chomika:
NI B4 II (Hammond)
Zgłoś jeśli
naruszono regulamin