Butt, John, Music education and the art of performance in German baroque.pdf

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In considering the role of practical music in education this book attempts
to define the art of performance in Germany during the Baroque period.
The author examines the large number of surviving treatises and instruc-
tion manuals used in the Lutheran 'Latin' schools during the period
1530-1800 and builds up a picture of the function and status of music
in both school and church. The understanding, gained through these
educational texts, of music as a functional art - musica practica — in turn
gives us insight into the thoughts of the contemporary performer and
how he might have performed the sacred works of Praetorius, Schutz,
Buxtehude or Bach.
For all those interested in historical performance this book provides
valuable information on the growing science of performance practice and
the development of a conscious awareness of style and idiom in this period.
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CAMBRIDGE MUSICAL TEXTS AND MONOGRAPHS
Music education and the art of
performance in the German Baroque
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CAMBRIDGE MUSICAL TEXTS AND MONOGRAPHS
The series Cambridge Musical Texts and Monographs has as its centres
of interest the history of performance and the history of instruments.
It includes annotated translations of important historical documents,
authentic historical texts of music and monographs on various aspects
of historical performance.
Published
Ian Woodfield The early history of the viol
Rebecca Harris-Warrick (trans, and ed.) Principles of the harpsichord by
Monsieur de Saint Lambert
Robin Stowell Violin technique and performance practice in the late eighteenth and
early nineteenth centuries
Vincent J. Panetta (trans, and ed.) Treatise on harpsichord tuning by Jean Denis
John Butt Bach interpretation: articulation marks in primary sources ofj. S. Bach
Nicholas Thistlethwaite 77ie making of the Victorian organ
Grant O'Brien Ruckers: a harpsichord and virginal building tradition
Christopher Page (trans, and ed.) Summa musice: a thirteenth-century manual
for singers
Ardal Powell (trans, and ed.) TJie virtuoso flute player by Johann George Tromlitz
Keith Polk German instrumental music of the late middle ages: players, patrons and
performance practice
Beth Bullard (trans, and ed.) { Musica getutscht': a treatise on musical instruments
by Sebastian Virdung
David Rowland A history of pianoforte pedalling
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Music education and the
art of performance in the
German Baroque
JOHN BUTT
University of California, Berkeley
CAMBRIDGE
UNIVERSITY PRESS
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