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Photographic Lighting Simplified
Photographic Lighting Simplified
© 2003 Susan McCartney
All rights reserved. Copyright under Berne Copyright Convention, Universal Copyright
Convention, and Pan-American Copyright Convention. No part of this book may be repro-
duced, stored in a retrieval system, or transmitted in any form, or by any means, electronic,
mechanical, photocopying, recording, or otherwise, without prior permission of the publisher.
08 07 06 05 04 03 5 4 3 2 1
Published by Allworth Press
An imprint of Allworth Communications, Inc.
10 East 23rd Street, New York, NY 10010
Cover design by Joan O’Connor Graphics
Page composition/typography by Sharp Des!gns, Lansing, MI
ISBN: 1-58115-256-6
LIBRARY OF CONGRESS CATALOGING
-
IN
-
PUBLICATION DATA
McCartney, Susan.
Photographic lighting simplified / Susan McCartney.
p. cm.
Includes index.
ISBN 1-58115-256-6
1. Photography—Lighting. I. Title.
TR590 .M38 2003
778.7’2—dc21
2002015916
Printed in Canada
This book is designed to provide accurate and authoritative information with respect to the
subject matter covered. It is sold with the understanding that readers will use utmost care
when handling photographic lights or undertaking any photographic activity. While every
attempt is made to provide accurate information, the author and publisher cannot be held
accountable for errors or omissions.
Acknowledgments
Many people have helped with the preparation of this
book.
Family members, friends, colleagues, models, stu-
dents, and people who were once, but no longer are,
strangers have all posed for pictures. Especial thanks
to my daughter, Caroline Nye, and to Karol DuClos, Darren DuClos, Christopher
Crawford, Daisy Little, Michael Moran, Jon Naar, and Pat and Wayne Fisher, all of
whom helped a lot.
Some images were originally made for commercial clients—I thank them, too.
Manufacturers have loaned equipment, answered questions, and, in a few cases,
supplied product pictures.
I have shamelessly picked the brains of people I met in person or online who are
more expert than I on fine points about digital cameras, lighting for digital imagery,
or preparing scans for reproduction. Thanks especially to Charlie Sharp, the
designer of the interior of this book; Irwin Miller, the digital guru at Calumet here
in New York; and to designer David Milne. I also thank Joan O’Connor, who designed
the book’s cover.
My lighting gurus over the long-term have been photographers Harold Krieger, in
whose class I first learned to “see” and recreate light; also Bodi; Phil Leonian; Steve
Manville; and strobe-maker Albert Nye.
Thanks as always to my publisher, Tad Crawford, who is ever supportive, and his
lovely staff, including my editors Elizabeth Van Hoose and Kate Lothman and pub-
licists Birte Pampel and Michael Madole.
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