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Film Theory
An introduction through the
senses
Thomas Eisaesser and
Malte Hagener
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NEW YORK AND LONDON
First published 20 I 0
by Routledge
270 Madison Ave. New York. NY 10016
Simultaneously published in the UK
by Routledge
2 Park Square. Milton Park. Abingdon. Oxon OX 14 4RN
Routledge is an imprint of the Taylor
&
Francis Group. an informa business
©
20 I 0 Taylor
&
Francis
Typeset in Perpetua by Wearset Ltd. Boldon. Tyne and Wear
Printed and bound in the United States of America on acid
free paper by Edwards Brothers. Inc.
All rights reserved. No part of this book may be reprinted or
reproduced or utilized in any form or b' any electronic.
mechanical. or other means, now known or hereafter
invented. including photocopying and recording, or in any
information storage or retrieval system. without permission in
writing from the publishers.
Trademark Notice:
Product or corporate names may be
trademarks or registered trademarks, and are used only for
identification and explanation without intent to infringe.
Library of Congress Cataloging-in-Publication Data
A catalog record has been requested for this book
ISBN I 0: 0-415-80 I 00-1 (hbk)
ISBN I 0: 0-415-80 I 0 I-X (pbk)
ISBN I 0: 0-203-87687-3 (ebk)
ISBN 13: 978-0-415-80 I 00-3 (hbk)
ISBN 13: 978-0-415-80 I 0 1-0 (pbk)
ISBN 13: 978-0-203-87687-9 (ebk)
Contents
Acknowledaments
ii
Introduction: ilm theory, cinema, the body and the
senses
1
Cinema as window and frame
REAR WINDOW
- Constructivism - Realism- Open and closedilmorms (Leo
Braudy) - Classical cinema-Centralperspective- RudofArnheim- Seraej
Eisenstein-Andre Bazin-David Bordwell- Cinema as shop-window and
display
13
2
Cinema as door -screen and threshold
THE SEARCHERS
-Enty into theilm- EymoloY fscreen-Th reshols f
the cinema
/
movie theater - Beainninas: credits and credit sequences - Neo
ormalism (Bordwell
/
Th ompson) - Post-structuralism (Thiery Kuntzel)-
Michail Bachtin - Door
/
screen asilmic motfin Buster Keaton andWo ody
Allen
35
3 Cinema as mirror and face
PERSONA
-Bela Baldzs-The close-up-Th eface-Fa ce as mirror fthe
unconscious- Christian Metz -Je an-Louis Baudy - Appaatus-theoy - Eary
cinema and the close-up (om Gunnina) - Riexive doublina in modern (art)
cinema - Mirror neurons - Paadoxes fthe mirror
55
4
Cinema as eye -look and gaze
BLADE RUNNER
-Active and passive eye -The mobile ey e feary cinema
Dziaa Ve rtov-Appaatus-theoy - Suture - Continuiy-editina- Laua Mulvey
- eministilm theories-
THE SILENCE OF THE LAMBS
- Historiciy fmodes
fperception- Reaimes fthe aaze-Th e bia Other Uacques Lacan) - Slavoj
Z
izek - The panoptic aaze (Michel Fo ucault) - Niklas Luhmann and sef
monitorina
82
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