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S t e p h e n
KING
FIRESTARTER
Warner Books
'It was a pleasure to burn.'
— Ray Bradbury, FAHRENHEIT 451
A
Warner
Book
First published in Great Britain in 1980
by Macdonald & Co
Published by Futura Publications in 1981
Reprinted 1981, 1982, 1983, 1984 (twice), 1985,
1986 (twice), 1987, 1988, 1989, 1990, 1991 (twice)
This edition published by Warner Books in 1992
Reprinted 1993 (twice), 1994, 1996, 1998 (twice), 2000 (twice)
Copyright © Stephen King 1980
The moral right of the author has been asserted
All characters in this publication are fictitious
and any resemblance to real persons, living or dead,
is purely coincidental.
All rights reserved.
No part of this publication may be reproduced,
stored in a retrieval system, or transmitted, in any
form or by any means without the prior
written permission of the
publisher, nor be
otherwise circulated in any form of binding or
cover other than that in which it is published and
without a similar condition including this
condition being imposed on the subsequent purchaser.
A CIP catalogue record for this book is
available from the British Library.
ISBN 0 7515 0439 4
Printed in England by Clays Ltd, St Ives plc
Warner Books
A Division of
Little, Brown and Company (UK)
Brettenham House
Lancaster Place
London WC2E 7EN
In memory of Shirley Jackson,
who never needed to raise her voice.
The Haunting of Hill House
The Lottery
We Have Always Lived in the Castle
The Sundial
New York/Albany
1
'Daddy, I'm tired,' the little girl in the red pants and the green blouse said fretfully. 'Can't
you stop?'
'Not yet, honey.'
He was a big, broad-shouldered man in a worn and scuffed corduroy jacket and plain
brown twill slacks. He and the little girl were holding hands and walking up Third
Avenue in New York City, walking fast, almost running. He looked back over his
shoulder and the green car was still there, crawling along slowly in the curbside lane.
'Please, Daddy.
Please
.'
He looked at her and saw how pale her face was. There were dark circles under her
eyes. He picked her up and sat her in the crook of his arm, but he didn't know how long
he could go on like that. He was tired, too, and Charlie was no lightweight anymore.
It was five-thirty in the afternoon and Third Avenue was clogged. They were crossing
streets in the upper Sixties now, and these cross streets were both darker and less
populated. . . . But that was what he was afraid of.
They bumped into a lady pushing a walker full of groceries. 'Look where you're goin,
whyn't ya?' she said, and was gone, swallowed in the hurrying crowds.
His arm was getting tired, and he switched Charlie to the other one. He snatched
another look behind, and the green car was still there, still pacing them, about half a
block behind. There were two men in the front seat and, he thought, a third in the back.
What do I do now
?
He didn't know the answer to that. He was tired and scared and it was hard to think.
They had caught him at a bad time, and the bastards probably knew it. What he wanted to
do was just sit down on the dirty curbing and cry out his frustration and fear. But that was
no answer. He was the grownup. He would have to think for both of them.
What do we do now
?
No money. That was maybe the biggest problem, after the fact of the men in green car.
You couldn't do anything with no money in New York. People with no money
disappeared in New York; they dropped into the sidewalks, never to be seen again.
He looked back over his shoulder, saw the green car was a little closer, and the sweat
began to run down his back and his arms a little faster. If they knew as much as he
suspected they did — if they knew how little of the push he actually had left — they
might try to take him right here and now. Never mind all the people, either. In New York,
if it's not happening to you, you develop this funny blindness. Have they been charting
me? Andy wondered desperately. If they have, they know, and it's all over but the
shouting. If they had, they knew the pattern. After Andy got some money, the strange
things stopped happening for a while. The things they were interested in.
Keep walking
.
Sho, boss. Yassuh, boss. Where?
He had gone into the bank at noon because his radar had been alerted — that funny
hunch that they were getting close again. There was money in the bank, and he and
Charlie could run on it if they had to. And wasn't that funny? Andrew McGee no longer
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