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Pencil Sketching, 2nd Edition
PENCIL SKETCHING
Second Edition
Thomas C. Wang
John Wiley & Sons, Inc.
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PENCIL SKETCHING
Second Edition
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Copyright © 2002 by John Wiley & Sons, Inc., New York. All rights reserved.
No part of this publication may be reproduced, stored in a retrieval system or transmitted in any
form or by any means, electronic, mechanical, photocopying, recording, scanning or otherwise,
except as permitted under Sections 107 or 108 of the 1976 United States Copyright Act, without
either the prior written permission of the Publisher, or authorization through payment of the
appropriate per-copy fee to the Copyright Clearance Center, 222 Rosewood Drive, Danvers, MA
01923, (978) 750-8400, fax (978) 750-4744. Requests to the Publisher for permission should be
addressed to the Permissions Department, John Wiley & Sons, Inc., 605 Third Avenue, New York,
NY 10158-0012, (212) 850-6011, fax (212) 850-6008, E-mail: PERMREQ @ WILEY.COM.
This publication is designed to provide accurate and authoritative information in regard to the
subject matter covered. It is sold with the understanding that the publisher is not engaged in
rendering professional services. If professional advice or other expert assistance is required, the
services of a competent professional person should be sought.
This title is also available in print as ISBN 0-471-39919-1. Some content that may appear in the
print version of this book may not be available in the electronic edition.
For more information about Wiley products, visit our web site at www.Wiley.com
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to my wife Jacqueline and my sons Joseph, Andrew, and Matthew
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C ONTENTS
P REFACE IX
Landscape Sketching 41
Trees 43
Trees in the Foreground 51
Trees in the Background 52
Landforms 55
Water 59
Architecture 63
Sketching the Cityscape 67
1. I NTRODUCTION . . . . . . . . . . . . . . . . . . .1
2. M ATERIALS AND E QUIPMENT . . . . . . . . . . 7
Pencils 7
Papers 13
Accessories 17
3. T ECHNIQUES . . . . . . . . . . . . . . . . . . . 19
Holding the Pencil 19
Pressure 23
Movement of the Hand 27
Lines and Strokes 31
5. C OMPOSITION . . . . . . . . . . . . . . . . . . . 71
6. S KETCHING FROM M EMORY . . . . . . . . . 85
4. S KETCHING . . . . . . . . . . . . . . . . . . . 37
Introduction 37
Observation and Recording 39
7. E XAMPLES . . . . . . . . . . . . . . . . . . . . 91
I NDEX . . . . . . . . . . . . . . . . . . . . . . . . 113
vii
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