Overload.pdf

Overload Sugababes

Hear this song at: http://www.youtube.com/watch?v=Pjm_7oMh638

From: Richard G’s Ukulele Songbook www.scorpex.net/uke.htm

[F#] Strange fear I ain't felt for years the boy's coming and I'm close to tears

I can't [G] let go of you [F#] now

[F#] Imagination's playing round for free in my world I take him out for tea

[G] Oh my God he can't say [F#] no

[F#] Skipping school gonna walk for air I just had to get out of there

I'm on [G] overload in my [F#] head

[F#] Train comes I don't know its destination

It's a [G] one-way ticket to a madman's situ[F#]ation

[F#] Train comes I don't know its destination

It's a [G] one-way ticket to a madman's situ[F#]ation

[F#] Life in a dream time does come true and in my sleep I think of you

[G] Feather bed by my[F#]self

[F#] Basically probability says that fate's gonna side with me

It's been [G] so long on my [F#] shelf

[F#] Train comes I don't know its destination

It's a [G] one-way ticket to a madman's situ[F#]ation

[F#] Train comes I don't know its destination

It's a [G] one-way ticket to a madman's situ[F#]ation

[F#] The tension is incredible boy I'm in charge you know how I feel for you

Will you stop or will you just keep [G] going please don't say [F#] no no no no

[F#] Train comes I don't know its destination (yeah yeah yeah)

It's a [G] one-way ticket to a madman's situ[F#]ation (situation)

[F#] Train comes I don't know its destination (I know I know)

It's a [G] one-way ticket to a madman's situ[F#]ation (situation)

[F#] Train comes I don't know its destination (our secret's safe in bed)

It's a [G] one-way ticket to a madman's situ[F#]ation (situation)

[F#] Train comes I don't know its destination (I know I know)

It's a [G] one-way ticket to a madman's situ[F#]ation (got me feeling bad)

This song is played in two chords separated by a semitone. To play along with the original use F#

G6C6E6A9 and G G7C7E7A9 but the song can be transposed to any two chord combination to suit voice or

preferred playing position. In first position, D G2C2E2A0 and Eb G0C3E3A1 or A G2C1E0A0 and Bb

G3C2E1A1 work well. Alternatively drop the F# formation to any position and slide up one fret for the next

chord...or do the same with any other formation that covers all the strings – to get the two chords.